Then at last came this entry, which, as the writing showed, was written with a shaking hand. “I have seen her beyond the possibility of a doubt. She appeared, and was with me quite a while; and, oh! the rapture! It has left me weak and faint after all that long, long preparation. It is of the casting forth of spirits that it is said, ‘This kind goeth not out but by prayer and fasting,’ but it is also true of the drawing of them down. To see a spirit one must grow akin to spirits, which is not good for us who are still in the flesh. I am satisfied. I have seen, and I _know_. Now I shall call her back no more lest the thing should get the mastery of me, and I become unfitted for my work on earth. This morning I could scarcely hold the bow of the violin, and its sweetest notes sounded harsh to me; I heard discords among their harmonies. Also I had no voice to sing, and after all the money and time that have been spent upon them, I must keep up my playing and singing, since, perhaps, in the future if my father’s health should fail, as it often threatens to do, they may be our only means of livelihood. NO, I shall try no more; I will stop while there is yet time, while I am still my own mistress and have the strength to deny me this awful joy. But I have seen! I have seen, and I am thankful, who shall never doubt again. Yet the world, and those who tread it, can never more be quite the same to me, and that is not wholesome. This is the price which must be paid for vision of that which we were not meant to touch, to taste, to handle.” After this, for some years—until it was decided, indeed, that they should move to Monksland—there was little of startling interest in the diary. It recorded descriptions of the wild moorland scenery, of birds, and ferns, and flowers. Also there were sketches of the peasantry and of the gentlefolk with whom the writer came in contact; very shrewd and clever, some of them, but with this peculiarity—that they were absolutely free from unkindness of thought or words, though sometimes their author allowed herself the license of a mitigated satire. Such things, with notes of domestic and parish matters, and of the progress made in her arduous and continual study of vocal and instrumental music, made up the sum of these years of the diary. Then at length, at the beginning of the last volume, came this entry: “The unexpected has happened, somebody has actually been found in whose eyes this cure of souls is desirable—namely, a certain Mr. Tomley, the rector of a village called Monksland, upon the East Coast of England. I will sum up the history of the thing. For some years I have been getting tired of this place, although, in a way, I love it too. It is so lonely here, and—I confess my weakness—playing and singing as I do now, I should like, occasionally, to have a better audience than a few old, half-deaf clergymen, their preoccupied and commonplace wives, some yeomen farmers, and a curate or two.