"Hey, Mr. Stern, keep her up there," said the blond boy, and Stern
took the Greek boy's end and tossed her up and down a few times,
saying, "I'm going to do this a little, too."
They finally let her down, and for an instant, straightening her skirt,
she smoothed her hair and pretended nothing had happened. "Let me tell
you further of my book," she said to Stern. But, after seeing her on
the pole, the thought of her terrible Puerto Rican writing disgusted
him and he said, "No literary stuff now."
She bent over then, holding her crotch, and said, "Ooh, you really
hurt me down there, you cruddy bastards." Stern felt good that she
had addressed all three of them, not excluding him, and it thrilled
him to be flying out of her apartment with his new friends, all three
howling and smacking each other with laughter at the pole episode. He
wanted to be with them, not with her. He needed buddies, not a terrible
Puerto Rican girl. He needed close friends to stand around a piano with
and sing the Whiffenpoof song, arms around each other, perhaps before
shipping out somewhere to war. If his dad got sick, he needed friends
to stand in hospital corridors with him and grip his arm. He needed
guys to stand back to back with him in bars and take on drunks. These
were tattered, broken boys, one in a wheelchair, but they were buddies.
They skidded across the lawn, wildly recalling the night's events.
The blond boy: "You see me kick that guy's ass? Pow, pow, pow!"
The Greek: "We almost ran that broomstick up the broad's kazoo, man."
Stern: "Did you see me hold that strong little guy at the bar?"
They split up at the main gate, each stealing back to his room
separately. "Tomorrow night, maybe we do some real jazzing," said the
boy in the wheelchair as they parted.
Exhilarated as he slipped past Lennie's darkened office, Stern,
approaching his room, felt his stomach and was surprised to find the
tapestry still prickling raw against it. Perhaps excitement is not good
for it, he thought--even good excitement. But it did not really bother
him, and it occurred to him for the first time that if necessary, by
God, he would live with the damned thing. He opened his door now and
saw the half man, bathrobe flown apart, toothache towel around his jaw,
sitting on Stern's bed. The sleeping actor's foot stirred momentarily,
tapping the edge of the bed in time to some forgotten vaudeville turn.
Stern wheeled around in a panic, wanting to flee the room until the
half man was out of there and his bed was scrubbed. He went out into
the hall, but the half man chased and caught him, gripping Stern's
wrist in a death vise. "Question," he radio-croaked in the dark hall.
"What?" asked Stern, his eyes closed so he would not see the half man,
not daring to inhale lest he smell his halves.
"You Jewish?" the man asked, croaking so close his mouth worked against
Stern's ear.
"Yes," said Stern, shutting his eyes until they hurt.
Public-domain text, read in full here on John Shaqi.
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