Especially good it seemed this evening to the passengers as they came trooping in with talk and laughter; especially snug and home-like, with its three big swinging moderator lamps, its long table covered with odds and ends of female work, books, papers, etc., etc., its piano, and its comfortable couches scattered here and there. The _Corona’s_ great beam had been utilised to some purpose, and, thus, her cabin was not, like the saloons of so many sailing ships, a sort of stage drawing-room, all white paint, gilding, glass, spindle-shanked chairs, and turn-over-at-a-touch tables. The company suited the cabin. There were only a dozen or so of them, mostly middle-aged married folk, who had left their grown-up families in Australia whilst they took a trip ‘Home,’ and were now returning to their adopted country. Amongst them, however, were two or three single ladies of uncertain ages, bound to the Land of the Golden Fleece in search of fortune, even if it should only come in the shape of a husband. There was, also, Miss Amy Hillier, an Australian heiress in her own right, returning to her native land with an uncle and an aunt. This is another man’s story; so that I am not going to take up space by a description of Amy Hillier’s charms; suffice it to say here that she was young and pretty, and as good as she was young and pretty. Wonderful to relate, the company of passengers fitted each other. Each seemed to have discovered in another his or her affinity, and, up to this, there had been none of the usual backbitings, heart-burnings, and malicious tittle-tattle usually so inseparable from a sea voyage in a sailing ship. Miss Hillier had seated herself at the piano, and was playing something from _Lohengrin_, when a remarkable-looking man, entering the cabin, doffed his gold-banded cap, and made his way to her side. Strongly, yet gracefully built, upright as the royal pole, active in all his movements, one would have taken him to be scarce arrived at middle-age, but for the fact that his thick, closely-cropped hair shone a dead white under the lamplight. His features were regular and good, albeit they wore, in general, a rather serious expression. Altogether, it was a strong, pleasant face, full of energy, confidence, and the power to command. As he rested one hand on the corner of the instrument, it might be noticed that, from wrist to finger tips, it was covered by the white cicatrices of long-healed scars. In spite, however, of his grey hair and disfigured hands, Captain Marion, of the _Corona_, Australian liner, was called by many people a handsome man. ‘Sing me my favourite, please,’ asked the Captain presently. ‘On condition,’ was the reply, ‘that you will tell us a story in return.’ ‘It’s a bargain,’ said the Captain. ‘I’ll relate the legend of Vanderdecken, the Flying Dutchman. Thoroughly appropriate it will be, too, as we are just entering his domains.’ ‘We don’t want to hear about the Flying Dutchman,’ answered the girl promptly.