The two crossed the pasture to the river and waded through the shallow
stream to the other side. They remained in the shadows of the bank,
following the bend of the river as it circled the village. Through the
cottonwoods they crept toward the rear of the two-story house where
Pasquale lived and Ruth was held prisoner.
From a sandy spot at the foot of a cotton wood tree Yeager dug a rope
ladder.
"Been making it while I was night-herding the remuda," he told Farrar in
answer to a surprised question.
"Beats me you didn't make an auto for us to get away in," answered his
admiring friend with a grin.
"Wait here," whispered Steve. "I'm going forward to look the ground
over. Keep your eyes open in case I give a signal."
The range-rider snaked his way toward the house, moving so slowly and
noiselessly that Farrar lost sight of him entirely and began to wonder
where he had gone. It must have been nearly twenty minutes later that he
caught a glimpse of him without his rifle. Yeager was engaged in
confidential talk with a guard in uniform. Frank saw the bottle pass
from his friend to the Mexican, who took a pull at it. A second guard
joined the two presently. He also took a drink.
The three disappeared together into the shadowy darkness of the house
wall. Farrar was wondering what had happened when a single figure
emerged into the moonlight and made a signal for him to come forward.
Yeager did not wait for him, but climbed up the post of the back porch
as he had done once before. The camera man was on hand by the time Steve
reached the roof. He looked up silently while his friend reached across
and rapped on the window of a lighted room. The sash was raised very
gently.
Ruth leaned out. "Is it you, Steve?" Her voice was tremulous and
tearful. It was a safe guess she had been sobbing her misery into a
pillow.
"Yes."
He caught hold of the edge of the window and swung across, working
himself up and in by sheer power of muscle. Rapidly he fastened the end
of the rope ladder to the head of the bed, which he first half lifted
and half dragged to the window. The rest of the ladder he threw out.
"Ready, Ruth?" he asked, turning to her.
She nodded. He was offering his arm to help her through the window when
a frightened call came from below.
"Steve!"
He looked down. A Mexican trooper, one of those set to guard the front
of the house, was approaching. A glance was enough to show that he knew
something to be wrong. His startled eyes passed from Farrar to the rope
ladder. They followed it from the ground to the window. He stopped,
almost under the window. The camera man, taken aback, did not know what
to do. Was he to run the risk of a shot? Even while he hesitated the man
in uniform reached for a revolver.
Public-domain text, read in full here on John Shaqi.
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