Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
omne tulit punctum qui miscuit utile dulci._"[15]
Thus looked at, the office of the poet was confounded with that of the
orator, for he too was a practical man aiming at practical effects;
hence there arose discussions as to whether Virgil was to be considered
as a poet or as an orator ("_Virgilius poeta an orator?_"). To both was
assigned the triple end of _delectare, movere, docere_; in any case
this tripartition was very empirical, for we clearly perceive that
the _delectare_ is here a means-and the _docere_ a simple part of the
_movere_: to move in the direction of the good, and therefore, among
other goods, towards that of instruction. In like manner, it was said
of the orator and poet (recording the meretricious basis of their task,
and with a metaphor significant in its _naïveté_) that they were bound
to avail themselves of the _allurements_ (_lenocinium_) of form.
[Sidenote: _Mystical æsthetic in antiquity._]
The mystical view, which considers art as a special mode of
self-beatification, of entering into relation with the Absolute, with
the Summum Bonum, with the ultimate root of things, appeared only
in late antiquity, almost at the entrance to the Middle Ages. Its
representative is the founder of the neo-Platonic school, Plotinus.
It is strange that Plato should be usually selected as the founder
and head of this æsthetic tendency, and that for this very reason to
him should be attributed the honour of being the father of Æsthetic.
But how could he, who had expounded with such great limpidity and
clearness the reasons for which he was not able to accord to art a
high place among the activities of the spirit, be credited with having
accorded to it one of the highest places, equal, if not superior, to
philosophy itself? This misunderstanding has evidently arisen out of
the enthusiastic effusions about the Beautiful that we read in the
_Gorgias,_ the _Philebus,_ the _Phædrus,_ the _Symposium,_ and other
Platonic dialogues. It is well to dissipate it by declaring that the
_Beauty_ of which Plato discourses has nothing to do with art or with
_artistic beauty._
[Sidenote: _Investigations as to the Beautiful._]
Public-domain text, read in full here on John Shaqi.
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