Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
for example Cartaut de la Villate[30] observes, "_Le grand talent
d'un écrivain qui veut plaire, est de tourner ses réflexions en
sentiments_;" and Trublet, "_C'est un principe sûr, que la poésie doit
être une expression de sentiment._"[30] Nor were the English slow in
emphasizing the concept of "emotion" in their theories of literature.
[Sidenote: _Tendency to unite these terms._]
In the writings of this period _imagination_ was often identified with
_wit, wit_ with _taste, taste_ with _feeling,_ and _feeling_ with
first apprehensions or _imagination_;[31] we have already noted that
taste is sometimes critical and sometimes productive: this fusion,
identification and subordination of terms apparently distinct shows how
they gravitate round one single concept.
[Sidenote: _Difficulties and contradictions in their definition._]
A German critic, one of the very few who have sought to penetrate
the darkness surrounding the origins of modern Æsthetic, considers
the concept of taste (which we owe, he thinks, to Gracian) "the
most important æsthetic doctrine which remained for modern times to
discover."[32] But without going so far as to say that taste is the
chief doctrine of the science, and the foundation of all the rest,
instead of only a particular doctrine, and without recapitulating what
we have already said of Gracian's relation to the theory of taste,
it is well to repeat that taste, wit, imagination, feeling, and so
on, instead of new concepts scientifically grasped, were simply new
words corresponding to vague impressions: at most they were problems,
not concepts: apprehensions of ground still to be conquered, not yet
annexed and brought into subjection. It must not be forgotten that the
very men who made use of these terms could scarcely grope after the
ideas they suggested without falling back into the old traditions, the
only ones on which they had an intellectual grasp. To them the new
words were shades, not bodies: when they tried to embrace them their
arms returned empty to their own breasts.
[Sidenote: _Wit and intellect._]
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