Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
When expounded and applied to human affairs,
Philosophy is not only a fine art in herself (_schöne Wissenschaft,_)
but the mother of Beauty: it is only through her that Rhetoric and
Poetry can ever be educational, useful, or in the truest sense
pleasant."[67]
[Sidenote: _Philosophy of language._]
Herder and Hamann deserve our gratitude for having brought a current of
fresh air into the study of the philosophy of language. The lead given
by the Port-Royal authors had been followed since the beginning of
the century by many writers of logical or general grammars. According
to the French Encyclopædia, "_La grammaire générale est la science
raisonnée des principes immuables et généraux de la parole prononcée
ou écrite dans toutes les langues_,"[68] and d'Alembert spoke of
grammarians of invention and grammarians of memory, assigning to the
former the duty of studying the metaphysics of grammar.[69] General
grammars had been written by Du Marsais, De Beauzée, and Condillac
in France; Harris in England; and many others.[70] But what was the
relation between general grammar and particular grammars? If logic be
one, how comes it that languages are many? Is the variety of tongues
but a deviation on their part from one single model? And, if there be
no such deviation or error, what is the explanation of the fact? What
is language, and how was it born? If language be external to thought,
how can thought exist if not in language? "_Si les hommes_," says
Jean-Jacques Rousseau, "_ont eu besoin de la parole pour apprendre
à penser, ils ont eu bien plus besoin encore de savoir penser pour
trouver l'art de la parole_"; appalled at the difficulty, he declares
his conviction "_de l'impossibilité presque démontrée que les langues
aient pu naître et s'établir par des moyens purement humains._"[71]
Such questions became fashionable; books on the origin and formation
of language were written by de Brosses (1765) and Court de Gébelin
(1776) in France, by Monboddo (1774) in England, Süssmilch (1766) and
Tiedemann in Germany, and Cesarotti (1785) in Italy, and by others
who had some slight acquaintance with Vico, but profited little by
it.[72] None of the above-named writers was able to free himself of
the notion that speech was either natural and mechanical, or else a
symbol attached to thought: whereas in fact it was impossible to solve
the difficulties under which they were labouring except by dropping
the notion of a sign or symbol and attaining the conception of the
active and expressive imagination, verbal imagination, language as
the expression not of intellect but of intuition. An approach towards
this explanation was made by Herder in a brilliant and imaginative
thesis in 1770 upon this subject of the origin of language, chosen
for discussion by the Berlin Academy. In it he says that language is
the reflexion or consciousness (_Besonnenheit_) of man. "Man shows
reflexion when he puts forth freely such force of mind as enables him
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