Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
"Wise men who have meditated upon the causes of universal Beauty,
seeking her amongst created things and trying to gain the contemplation
of Supreme Beauty, have placed it in the perfect harmony of creatures
with their ends and of their parts with one another. But as this is
equivalent to perfection, which man is incapable of attaining, our
concept of universal beauty remains indeterminate, and arises by means
of particular cognitions which, when accurately collected and fitted
together, give us the highest idea we can attain of human beauty,
which we elevate in proportion as we raise it above matter. But,
again, since the Creator deals out perfection to all his creatures
in the proportion that befits them, and since every concept rests
on some cause which must be sought outside the concept itself, the
cause of Beauty which is to be found in every created thing cannot
be sought in anything outside these created things. For this reason,
and because our cognitions are comparative concepts, whereas Beauty
cannot be compared with anything higher, it is difficult to attain a
distinct and universal cognition of Beauty."[16] The only way out of
this difficulty and others like it is the recognition that "supreme
beauty resides in God": "the concept of human beauty becomes the more
perfect in proportion as it can be thought more in conformity and
agreement with supreme Being, which is distinguished from matter by
its own unity and indivisibility. This conception of Beauty is as a
spirit which, freed by fire from the prison of matter, strives to
conjure up a creature in the likeness of the first reasonable creature
formed by the divine intelligence. The forms of such an image are
simple and continuous and within this unity they are varied and for
that very reason harmonious."[17] 2 To these characteristics is added
"lack of significance" (_Unbezeichnung_), since supreme beauty cannot
be described with points or fines different from those which alone
can constitute that beauty; its form "is not peculiar to this or that
determinate person, neither does it express any state of feeling or
sensation of passion, things which disturb unity and overcloud beauty."
Winckelmann concludes: "We look upon Beauty as a purest water drawn
from the centre of the spring; the less taste it has the higher it is
esteemed because free from all impurities."[18]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account