Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
They also observe all sorts of things along the road, which are in part
most useful, precautionary measures, in part superstitious customs.
Thus, they will never sit down in the shade of a tree, or scratch their
heads, at least not with their fingers. The warriors, however, are
permitted to scratch themselves with a piece of wood or a comb.
The young men who go on the war trail for the first time, have, like
the women, a cloth or species of cap on the head, and usually walk with
drooping head, speak little, or not at all, and are not allowed to join
in the dead or war songs. Lastly, they are not permitted to suck the
marrow from the bone of any game that is caught and eaten during the
march. There are also numerous matters to be observed in stepping in
and out of the canoes on the war trail. Thus, the foot must not on any
condition be wetted.
The only things they carry with them, besides their arms and pipes, are
their medicine-bags. These they inspect before starting, as carefully
as our soldiers do their cartridge-boxes, and place in them all the
best and most powerful medicines, and all their relics, magic spells,
pieces of paper, etc., in order that the aid of all the guardian
spirits may be ensured them.
The same authority gives us a sample of Indian war dances and speeches:
“By the afternoon all were ready, and the grand pipe of peace, they
intended to hand to the great father, was properly adorned with red
feathers, blue drawings, strings of wampum, etc.
“It occurred to me that although it was after all but a ceremony, the
Indians regarded the matter very solemnly and earnestly. According to
traditional custom the pipe of peace passed from tent to tent and from
mouth to mouth among the warriors. When each had smoked, the procession
started and marched with drums beating, fluttering feather-flags and
flying-otter, fox, and skunk tails through the village, to the open
space before the old fort of the North West Company. Here they put up
a wooden post, and close to it their war flag, after which the dances,
speeches, and songs began.
“A circle of brown skinned dancers was formed, with the musicians and
singers in the centre. The musicians, a few young fellows, cowered
down on the ground, beat a drum, and shook a calabash, and some other
instruments, which were very primitive. One had only a board, which
he hammered with a big knife, while holding his hollow hand beneath
it as a species of sounding board. The principal singers were half a
dozen women wrapped up in dark cloaks, who uttered a monotonous and
melancholy chant, while keeping their eyes stedfastly fixed on the
ground. The singing resembled the sound of a storm growling in the
distance. To the music the warriors hopped round in a circle, shaking
the otter, fox, and beaver tails attached to their arms, feet, and
heads.
Public-domain text, read in full here on John Shaqi.
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