Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
The tabilai is a link between the camakau and drua, and is made with
the outrigger of either. It is often of great length, several feet at
each end being solid wood, cut away something like the hull of a ship
stern-ward, the sternpost of the ship representing the cut-water of the
canoe, which, instead of being sharp, presents a square perpendicular
edge to the water. This is the same at both ends, and is distinctive of
the class.
The _drua_, or double canoe, differs from the rest in having
another smaller canoe for its outrigger, and the deck is laid across
both.
When not more than thirty or forty feet long, canoes are often cut
out of a single tree, and require comparatively little skill in their
construction. When, however, a first-class canoe is to be built, the
case is far otherwise, and its creditable completion is a cause of
great triumph.
A keel is laid in two or three pieces carefully scarfed together.
From this the sides are built up, without ribs, in a number of pieces
varying in length from three to twenty feet. The edge of each piece has
on the inside a flange; as the large pieces are worked in, openings of
very irregular form are left to be filled in, as suitable pieces may
be found. When it is recollected that the edges of the planks are by
no means straight, it will be seen that considerable skill is required
in securing neat joints; yet the native carpenters effect this with
surprising success. After the edges are fitted together, holes of about
three-eighths of an inch in diameter are bored a hand-breadth apart in
them, having an oblique direction inwards, so as to have their outlet
in the flange: the holes in the edge of the opposite board are made to
answer these exactly. A white pitch from the bread-fruit tree, prepared
with an extract from the cocoa-nut kernel, is spread uniformly on both
edges, and over this a strip of fine _masi_ is laid, which is
burnt through with a small fire-stick where it covers the holes. The
piece or _vono_ is now ready for fixing, which is done by what is
commonly but wrongly called “sewing;” the native word better describes
the process, and means, “to bind.” The vono being lifted to its place,
a well dressed but not large sinnet is passed through the hole in the
top flange, so as to come out through the lower one: the end is then
inserted in the sinnet further on, and the sinnet runs rapidly through
the hole, until eight or twelve loose turns are taken: the inserted end
is then sought and laid on the round projection formed by the united
flanges, and fastened there by drawing one turn of the sinnet tightly
over it; the other turns are then tightened, the last but one being
made a tie to the last. The spare sinnet is now cut off close, and
the operation repeated at the next hole. The bindings, already very
strong, have their power increased by fine wedges of hard wood, to the
number of six or seven, being driven in opposite directions under the
Public-domain text, read in full here on John Shaqi.
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