Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
which unpleasant animals he discovers scudding away on all sides. The
only defence available is to light a cigar and envelope himself in a
cloud of smoke, and when the fumes of the tobacco has driven away the
hostile forces, and the mysterious thumping has ceased, about twelve
o’clock the unfortunate traveller, unable to keep his eyes open any
longer, falls into an uneasy sleep, unconscious of the hungry flock
fastening on his prostrate form. He reposes for a space of two hours,
at the expiration of which time the thumping recommencing, he awakes,
and as it continues until daylight, when it is mingled with a continual
hooting, like that of an owl, and a species of unearthly chanting and
the tropical emulative crowing of a thousand cocks, he remains awake.
The traveller now looks out of his window, and discovers that the
diabolical pounding arises from the court-yard, where he beholds most
of the female inhabitants (having children fastened on behind after the
gipsy fashion) standing over wooden mortars energetically pulverizing
something with pestles six feet in length. These dames are engaged in
the manufacture of “hous,” the only edible substance to be procured in
this inhospitable region, and which demands in preparation such a vast
deal of labour, that the women are employed day and night, relieving
one another by turns, and resting only between twelve at night and two
in the morning. Other noises proceed from the marabouts in the mosques,
calling the faithful to prayers, and the dismal chanting from blind
men, of which there is a remarkable number, who go from yard to yard
singing prayers and receiving the alms on which they subsist.
Public-domain text, read in full here on John Shaqi.
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