Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
“Those who escape the club of the soul-destroyer walk on to
Naindelinde, one of the highest peaks of the Kauvandra mountains.
Here the path of the Mbulu ends abruptly at the brink of a precipice,
the base of which is said to be washed by a deep lake. Beyond this
precipice projects a large steer-oar, which one tradition puts in the
charge of Ndengei himself, but another more consistently in the keeping
of an old man and his son, who act under the direction of the god.
These accost the coming spirit thus: ‘Under what circumstances do you
come to us? How did you conduct yourself in the other world?’ If the
ghost should be one of rank, he answers: ‘I am a great chief; I lived
as a chief, and my conduct was that of a chief. I had great wealth,
many wives, and ruled over a powerful people. I have destroyed many
towns, and slain many in war.’ To this the reply is, ‘Good, good. Take
a seat on the broad part of this oar, and refresh yourself in the cool
breeze.’ No sooner is he seated than they lift the handle of the oar,
which lies inland, and he is thus thrown down headlong into the deep
waters below, through which he passes to Murimuria. Such as have gained
the special favour of Ndengei are warned not to go out on the oar, but
to sit near those who hold it, and after a short repose are sent back
to the place whence they came to be deified.”
The gods of the Figians would, however, seem to cling with considerable
tenacity to the weaknesses that distinguish the most ordinary mortals.
They quarrel, they fight, and worse still, descend to act the part
of lady-stealers, and this even when the booty is the daughter of
a neighbouring god. The last “pretty scandal” of this character is
related by Mr. Seeman in his recently published work on Figi:
Public-domain text, read in full here on John Shaqi.
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