Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
“All this I noted down, and from the circumstantial manner in which he
related every particular, though he could not possibly have had any
personal communication with or from them by any other Indians, I began
to hope my men were safe, and that I should again see them. On the
appointed day the interpreter and myself watched most anxiously, but
without effect. We got our suppers, gave up all hopes, and heartily
abused Wahwun for deceiving us. Just as we were preparing for bed,
to my great joy the men rapped at the door, and in they came with
the flour on their backs. My first business was to enquire of their
travels. They told me the whole exactly as the old Indian had before
stated, not omitting the tree or any other occurrence; and I could have
no doubt but that the old fellow had got his information from some evil
or familiar spirit.”
As has already been mentioned in this book, belief in dreams is very
intimately associated with North-American Indian religious belief; and
when an Indian dreams anything that seems to him important, he does not
fail to enter in his birch bark “note book” the most salient points
of it. Being, as a rule, however, incapable of giving his thoughts a
tangible appearance by the ordinary caligraphic process, he draws the
pictures just as he sees them in his vision. From the birch bark of a
brave, by name the “Little Wasp,” Mr. Kohl copied the picture which
appears on the next page: and this is the explanation of it:--
“The dreamer lying on his bed of moss and grass is dreaming the dream
of a true hunter, and there are the heads of the birds and beasts which
his guardian spirit promises that he shall not chase in vain. The man
wearing the hat is a Frenchman, which the Little Wasp also dreams about.
“The Indians picture themselves without a hat because they usually have
no other head gear than their matted hair, or, at most, a cloth wound
turban-wise round the head. The hat, however, appears to them such a
material part of a European--as much a part of their heads as the horse
to the Centaur--that a hat in a picture-writing always indicates a
European.
“It was not at all stupid of Little Wasp to dream of a Frenchman,
for of what use would a sky full of animals prove to him unless he
had a good honest French traiteur to whom he could sell the skins
and receive in exchange fine European wares? The vault of the sky is
represented by several semi-circular lines in the same way as it is
usually drawn on their gravestones. On some occasions I saw the strata
or lines variously coloured--blue, red, and yellow, like the hues of
the rainbow. Perhaps, too, they may wish to represent that phenomenon
as well. But that the whole is intended for the sky is proved by the
fact that the ordinary colour is a plain blue or grey. The bird soaring
in the heavens was meant for the kimou which so often appears in the
dreams of these warlike hunters.
Public-domain text, read in full here on John Shaqi.
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