Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
The remainder of the pork was then heaped up and scrambled for at an
appointed signal. The woman who had laid herself down, covered over
with gnatoo, now rose up and went, taking with her the gnatoo and the
basket containing the bottles of oil as her perquisites. Tooitonga
then took his bride by her left hand and led her to his dwelling,
followed by the little girl and the other four attendants. The people
now dispersed each to their home. Tooitonga being arrived with his
bride at his residence, accompanied her into the house appropriated
for her, where he left her to have her mats taken off and her usual
dress put on, after which she amused herself in conversation with the
women. In the meantime a feast was prepared for the evening, of pigs,
fowls, yams, etc., and cava. This was got ready on the marly, where,
about dusk, Tooitonga presiding, the company sat down to receive their
portions, which the generality reserved to take home with them; the
lower orders, indeed, who had but a small quantity, consumed theirs
on the spot. After this cava was shared out and drunk. The musicians
(if so they can be called) next sat down at the bottom of the ring,
opposite to Tooitonga, in the middle of a circle of flambeaus, held by
men who also held baskets of sand to receive the ashes. The musical
instrument consisted of seven or eight bamboos of different lengths
and sizes (from three to six feet long), so as to produce--held
by the middle, and one end being struck on the ground--different
notes according to the intended tune (all the knots being cut out of
the bamboo, and one end plugged up with soft wood). The only other
instrument was a piece of split bamboo, on which a man struck with
two sticks, one in each hand, to regulate the time. The music was an
accompaniment to dancing, which was kept up a considerable time. The
dancing being over, one of the matabooles addressed the company, making
a moral discourse on the subject of chastity. The company then rose
and dispersed to their respective homes. The bride was not present at
this entertainment. Tooitonga being arrived at his house, sent for the
bride, who immediately obeyed the summons. The moment they retired
together, the lights were extinguished, and a man appointed at the
door for the purpose announced it to the people by three hideous yells
(similar to the war whoop), which he followed up immediately by the
loud and repeated sounds of the conch.
For the accuracy of the following description of an Australian monarch
Mr. W. H. R. Jessop is responsible:--
Public-domain text, read in full here on John Shaqi.
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