Mariette! only this thought, and I fell on my knees beside her; our
hands touched, and I kissed her dainty white fingers. Why was I certain
in all my life never to know a like moment?
Ah! never shall I experience the same mad joy; the delight of holding in
mine the thin hands of my childhood's friend. It was that childhood I
embraced; that other time, so free and pure, with its pretty welcoming
air.
"Do you remember when last we met?" I asked earnestly.
She heaved a slight sigh, so like those of other days that tears rose to
my eyes.
"Yes," she murmured. "But--there, don't speak of it. Such memories
must be painful to both of us."
"If to you, none the less to me, Mariette," I replied, looking in her
sad, sweet face.
Her lips quivered, and a tear stole down her cheek.
During a whole hour it was nothing but expressions of surprise and vain
regrets. To the depths of our being we felt the force of these
recollections, causing us to live over an almost forgotten period.
I found in looking at her, in listening to her, my great soul and little
body of that sweet other time.
Once more I felt the immensity of the fields and of the sky; the fine
smell of the leaves enthralled my senses, and the least sound was
melody. Once more I lived the old free life over again. It was before
I went to stay at Brussels, when I resided under the paternal roof on
the edge of the dense Soignes forest, that Mariette and I were playmates
and afterwards lovers.
How well I recollect one halcyon day, the memory of which now comes
before me in all its vividness. It was autumn. We were walking alone
in the wood. The leaves floated down noiselessly upon the chill
November air, leaving the naked branches like black lace against a grey,
snow-laden sky. That day she admitted that she loved me, that she would
be my wife.
And all around us there was infinite space, coloured by the joyful
imaginings of happy youth.
We were speaking of it, when suddenly she withdrew her hand from mine,
and a red flush mounted to her forehead.
"But you soon forgot me when you went away," she said reproachfully. "I
waited months, but you never wrote; then I heard how an actress had
infatuated you. Yet--you are rich now, and the world looks leniently
upon what it calls a wealthy man's folly."
I could not prevent myself from frowning.
"You mean Clementine Sucaret? People coupled our names without cause,"
I replied coldly, almost cruelly. Yet I knew she spoke the truth.
"And I--I am mad," she whispered.
I rose and looked at her. She was still seated, her eyes riveted upon
the fire, her cheek resting upon her hand, appearing to have forgotten
my presence. For a moment I remained in that position, then I reseated
myself. There was nothing awkward in our silence. We felt too deeply
for idle words. As we contemplated our past, the wind whistled without,
the rain fell furiously, and from time to time I added a log to the fire
and stirred the embers.
Public-domain text, read in full here on John Shaqi.
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