Through closed windows and drawn curtains was borne the solemn clang of
a bell in a church tower in the Avenue de Villiers, recording the death
of to-day and the birth of to-morrow. A simple canary in its gilded
cage, mistaking for morning sunshine the soft glow of electricity, as it
filtered through its shade of orange silk, chirped a matin song in
shrill staccato. A tiny slippered foot nervously patted the sleek fur
of the tiger rug beneath it, a strong arm girt a slender waist; and,
between the solemn strokes of the church bell, and the cheery passages
of the bird-song, quick, passionate kisses alone stirred the scented
air.
The man spoke. It was Rene Delbet!
"I must go now, darling," he said. "We have both braved too much
already. He may return at any moment."
"And if he did?" Valerie asked defiantly.
"He might at least--suspect."
"Suspect?" and she laughed a chorus to the canary. "He doesn't know
what suspicion means. He would trust me with Mephistopheles himself.
Should he find you here, he would only thank you for entertaining me.
He's the most easy-going fellow in the world."
The man smiled, released his companion from his embrace, and rose from
the settee, upon which the two had been seated.
"I'm afraid, my dear," he said, "that you presume too much upon his
confidence. There is no cord so elastic that it will not snap."
I waited for no more, but burst into the room, having, in my frenzy of
madness, drawn a revolver from my pocket.
"_Diable_! You?" cried Delbet, starting up in alarm.
"Ah, my husband!" gasped Valerie, covering her blanched face with her
hands.
"_Sacre_! You shall die!" I shouted.
The tolling bell throbbed once again, and then--a short, sharp, loud
report and a flash together. A little puff of blue-grey smoke floated
ceilingward, a man's frightened cry pierced the night, and upon the
harmonious colours of the flower-strewn carpet Valerie lay dead.
------------------------------------------------------------------------
Rushing to my wife's boudoir, I broke open her escritoire, bent upon
ascertaining the nature of any letters she might have concealed there.
There were many. Ah, _Dieu_! When I think of the passionate
love-missives penned by the man whom I had implicitly trusted, and
admitted to my home as a friend, my brain is lashed to frenzy.
One discovery I made was startling. Several of the letters bore the
stamp of twenty-five centimes, and their envelopes were addressed to
"Mademoiselle Halima Fathma, care of Hadj Hassan, Douera Algerie."
Searching further, I discovered a full-length cabinet photograph, taken
in Algiers. It was of Valerie dressed as the Sheikh's daughter, with
the exception that the _adjar_, which had hidden the Arab girl's face,
had been removed.
In my surprise I almost forgot the terrible tragedy.
Public-domain text, read in full here on John Shaqi.
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