Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"I understand what you mean, sir--the stones were the preachers."
"Just so, Matthew; and then the churches were always open, and people
used to go and meditate and pray there at all hours; for in church they
found themselves surrounded by so much that reminded them of Heaven and
God's presence, and sacred things, and so little to remind them of the
world and of sin, that they could think and pray there better than any
where else. But in after times the old churches became neglected and
dilapidated, and the new churches were so mean and cold and bare, that
there was every thing to chill and nothing to warm devotion, and so
people gave up the good old custom of going to hear the stones preach,
and to say their daily prayers to God in His sanctuary. But the time is
coming back again, I am thankful to say, and church builders are again
good Churchmen, and regard the building of churches as a sacred art and
a religious work; and the people are less contented to be ignorant about
these things; and the churches are no longer closed from Sunday night to
the next Sunday morning, as they used to be."
"I haven't read my Bible right, Mr. Ambrose, if it isn't a very wicked
thing to allow God's House to go to decay. In our old church people
seemed to have forgotten all about the '_beauty_ of holiness,' both in
their manner of worship and in the house where they worshipped. They had
their own houses 'ceiled with cedar and painted with vermilion,' and
this house was 'laid waste[177].' I have been told how grand Queen
Victoria's Palace is, and how beautiful the Parliament House is, and I
have often thought that surely, sir, the house of the great King of
kings, and the great Ruler of all our rulers should be grand and
beautiful too. But our churchwardens not only didn't try to make the old
church beautiful, sir, but hid as much as possible of whatever beauty
they found."
"Too true, my friend," said the Vicar: "these old pillars had become so
coated over with whitewash that their rich carved work could hardly be
seen at all. Whitewash was the cheapest thing they could use to hide the
green damp and the plaster patches, and for that reason I suppose they
used it."
The work of decoration went on rapidly; the many busy hands soon
effected a wonderful change in the appearance of the church, which gave
it a very festive character. The choicest flowers were placed at the
back of the altar, others were used in various ecclesiastical designs,
or woven into wreaths of evergreens. The texts of Holy Scripture painted
above the arches from pillar to pillar were neatly framed in borders of
evergreens, and wreaths of the same were already twined around many of
the columns[178].
Public-domain text, read in full here on John Shaqi.
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