Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"Sally Strike doesn't often say any thing very wise, my dear, and this
is no exception to the rule. You had better answer her out of her own
mouth. Ask her, when she gathered all the flowers her own garden could
produce to decorate the little 'Rehoboth'--as they call that
meeting-house on Wanderer's Heath--when they held their last 'love
feast,' and had tea and cake in their chapel, did she put the flowers
there to make the place look gloomy, or to make it look festive and gay?
Or, why did she do the same thing a little while ago, when they gave a
children's treat in their meeting-house? Was it because it was a time of
sadness or of rejoicing? No doubt, she will tell you it was the latter.
Well, we decorate our churches for a similar reason. We regard all the
Christian festivals as seasons for great gladness and rejoicing, and
whilst at other times we are obliged, for the most part, to content
ourselves with such ornamentation of God's House as our own poor
imitations of the forms and colours of Nature can supply, on these high
days we press into the service of the temple the lovely originals of all
those forms and colours, fresh and pure as when they first left the hand
of their Divine Maker.
"'Tis true that the heathen used flowers in decorating their temples and
altars, and also their victims prepared for sacrifice[180]. But they
used them just as Sally Strike uses them at her meeting-house, for the
_sole_ purpose of _decoration_. Now, though we use flowers to give a
festive appearance to our churches, our use of them has, too, always a
meaning beyond that: how they remind us of the _love of God_ in arraying
this earth with so much beauty for our enjoyment; how they remind us of
the pure and lovely delights of the Paradise that is lost; and of our
future resurrection[181] to a Paradise of yet greater beauty. And it is
from our Bibles that we learn to give, too, an _emblematic_ meaning to
particular flowers, so that, whether carved by man, or moulded by the
hand of Nature, each one teaches its own useful lesson. There we find
the lily mentioned as the emblem of God's providence; the rose as the
type of youthful beauty; the cedar, of manly strength. Nay, my dear
Ellen, we may even find in Holy Scripture itself our authority for
decorating our churches with these pure and unsinning works of God. You
remember, no doubt, the verse to which I allude: 'The glory of Lebanon
shall come unto thee: the fir-tree, the pine-tree, and the box together,
to beautify the place of My sanctuary[182]'."
"Thank you, sir, I quite understand your explanation. But Sally Strike
said she didn't object to the way the church used to be decorated thirty
years ago, when plain twigs of evergreen were put at the corners of the
pews, and some large branches fixed here and there on the walls; but she
does not like the triangles and circles and crosses, and the other
designs we now use."
Public-domain text, read in full here on John Shaqi.
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