Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"As the birds sing early matins
To the God of nature's praise,
This its nobler daily music
To the God of grace shall raise.
"And when evening shadows soften
Chancel-cross, and tower, and aisle,
It shall blend its vesper summons
With the day's departing smile.
"Year by year the steeple-music
O'er the tended graves shall pour
Where the dust of saints is garner'd,
Till the Master comes once more."
J. M. NEALE.
Illustration: Meopham Church
THE TOWER
When the Vicar and the Squire met on their way to church the following
day, the conversation of the previous evening was thus resumed:--
"You will, I am sure, agree with me," said Mr. Ambrose, "in regarding
the church spire as ever teaching _outside_ the building the same lesson
that the open timber roof, as you so truly said yesterday, is teaching
_inside_. It is always pointing the thoughts of thoughtful men up above
the earthly temple."
"Quite so; and, as is the case with many other great teachers, the
earthly fabric has, I believe, in both these cases, a very humble
origin; for as the grandest cathedral roof is but a development of the
simple _tent_ which formed the early habitation of the once rude
inhabitants of this and other countries, so has its lofty and elegant
spire gradually raised itself from the low and unpretending roof which
covered in the towers of our earliest parish churches.
"I am inclined myself to think that, as a matter of taste and beauty, no
church tower is complete without a spire in some form[193], and it is a
question whether, in every case, the tower was not at first built with a
view to such an ornament. The termination with a flat or only embattled
cornice does not harmonize well with pointed architecture; the spiral
form seems to me the only appropriate termination; and, as you say, the
symbolic teaching of this part of the building depends upon it. And yet,
though it may almost seem a contradiction to what I have said, the spire
always needs some object for the eye to rest upon at its summit. The
time-honoured _weather-cock_ which every body knows to be the emblem of
_watchfulness_, seems by far the most convenient and suitable, though I
am aware that other forms--such as a dragon, and a boat--are fixed to
the summits of some spires."
Public-domain text, read in full here on John Shaqi.
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