Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
185: The word corbel, French _corbeille_, means literally a large flat
basket. It is curious to note how the word obtains its present use in
architecture. After the destruction of the city of Caryæ in Arcadia by
the Greeks, Praxiteles, and other Athenian artists, employed female
figures, instead of columns, in architecture, to commemorate the
disgrace of the Caryatides, or women of Caryæ (see Dr. Smith's Dict. of
Greek and Roman Antiquities, _Caryatis_). These figures were always
represented with corbels or baskets on their heads. The basket, being
thus placed between the head of the figure and the roof, was that which
_immediately_ supported the roof. Hence those projecting pieces of stone
or wood which support the roofs of our churches, as well as other
buildings, have received the name of corbels. _Caryatides_ may be seen
on the north and south sides of New St. Pancras Church, London--a church
which externally possesses all the appearances of a heathen temple, and
few of a Christian church.
186: Although the carved roofs of this period cannot compare in point of
elegance and beauty with those of an earlier date, yet, for the
abundance of rich and elaborate detail in wood-carving (oak and walnut),
no period equalled this. The bench-ends, screens, rood-screens, tombs of
wood at this time were exquisitely beautiful. The roofs, however, were
too flat, and externally they were concealed altogether by parapets.
187: In some chancels the idea of the keel of a ship is fully carried
out, the walls widening as they ascend.
188: The flat roofs well suited the heathen worship of ancient Greece
and Rome, where the object of worship was shut up within the walls of
the temple itself. It is far different with us, who worship a Deity who,
though specially present there, is "not _confined_ to temples made with
hands."
189: Wordsworth.
190: See the _Builder_, Jan. 29, 1865, "The Roof and the Spire."
191: So called from the _triple form_ of the arches it most commonly
has.
192: See Parker's _Glossary_, "Triforium;" and Hook's _Church
Dictionary_.
193: It is probable that all Norman towers originally had low-pointed
roofs covered with tiles (as at Sompting, Essex); tower roofs of this
period with gable-ends are also sometimes to be found.
194: Chiefly in Norfolk and Suffolk. Of these the round towers of Little
Saxham and Brixham are perhaps the most interesting.
195: There are several instances, however, in England of bell-towers
standing detached from the church, as the beautiful tower at Evesham,
Worcestershire, and the curious belfry at Brookland in Kent.
196: Evidences of these priests' chambers exist throughout England:
there are instances at Challock, Sheldwich, and Brook in Kent. In the
last mentioned are the remains of an altar, with a portion of the
original rude painting above it still remaining.
Public-domain text, read in full here on John Shaqi.
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