Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"Will you kindly tell us," said Mr. Dole, "why you discarded the large
handsome velvet cushion that was once on your pulpit, and have, instead,
adopted the embroidered piece of velvet which now hangs in front of the
pulpit?"
"Well, as a matter of taste, I think you will agree with me that the
present beautiful frontal, with its richly-embroidered cross, is an
improvement upon the old cushion. But I discarded the old big
_pillow_--for such, indeed, it was--not only because it was unsightly,
but also because it was useless, for my head is not so much more tender
than that of other persons, that I, any more than they, should require a
pillow to rest it on during my private devotions; and as I am not
accustomed to perform the part of a mountebank in the pulpit, or, as
some say, to use much _action_ when preaching, I need no such protection
in order to preserve my limbs safe and sound. But, besides this, there
is a manifest objection to these huge cushions; undoubtedly they tend to
impede the sound of the preacher's voice[95]; so I was very glad to get
rid of your handsome cushion, and adopt our more convenient and more
beautiful pulpit frontal."
"I often think," said Mr. Acres, "if the old pulpits could speak, what a
strange account they would give of the various preachers that have
occupied them. Take our own old stone pulpit, for instance. In early
times, of course, there were only sermons at long intervals, perhaps
often dependent upon the occasional visits of some old preaching friar.
At length there came the quaint old Homilies of the Church; then there
came an interruption to all true religion and order, and the old pulpit
poured forth the mad ravings of the fanatical Puritans who got
possession of it. Now and then came a noisy soldier to hold forth, and
there was--as our old registers show--the _Reverend_ Ebenezer Bradshaw,
the Presbyterian, who left his snuff and tobacco shop to enlighten our
poor benighted people; next came the _Reverend_ Obadiah Brent, late of
the 'Green Dragon,' the Independent preacher; and then the _Reverend_
Jabez Zanchy, the baker of Starchcombe, the Anabaptist preacher[96];
then there was a century of long learned essays freely interspersed with
Greek and Latin, so that, if the prayers were said in a language
'understanded of the people,' the sermon certainly was not. Following
upon this came what we may call the _muscular_ style of
preaching--usually extempore--requiring the pillows of which you have
been speaking to save the knuckles of the preacher from entire
demolition. Thank God, amid these many changes, there have always been
some good men to be found in our pulpits; but, for my part, I like the
quiet, sober, persuasive style, which--saving your presence, Mr.
Vicar--I am thankful to say, characterizes the sermons at St.
Catherine's. I think sermons cannot be too _practical_; and, whilst they
should be addressed both to the heart and the intellect, they should
most of all be designed to touch the _heart_."
Public-domain text, read in full here on John Shaqi.
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