SECTION XLVI. Every motive thus concurred in urging him to the study of
chromatic decoration, and every advantage was given him in the pursuit
of it; and this at the very moment when, as presently to be noticed, the
_naivete_ of barbaric Christianity could only be forcibly appealed
to by the help of colored pictures: so that, both externally and
internally, the architectural construction became partly merged in
pictorial effect; and the whole edifice is to be regarded less as a
temple wherein to pray, than as itself a Book of Common Prayer, a vast
illuminated missal, bound with alabaster instead of parchment, studded
with porphyry pillars instead of jewels, and written within and without
in letters of enamel and gold.
SECTION XLVII. LAW VII. _That the impression of the architecture is
not to be dependent on size._ And now there is but one final
consequence to be deduced. The reader understands, I trust, by this
time, that the claims of these several parts of the building upon his
attention will depend upon their delicacy of design, their perfection of
color, their preciousness of material, and their legendary interest. All
these qualities are independent of size, and partly even inconsistent
with it. Neither delicacy of surface sculpture, nor subtle gradations of
color, can be appreciated by the eye at a distance; and since we have
seen that our sculpture is generally to be only an inch or two in depth,
and that our coloring is in great part to be produced with the soft
tints and veins of natural stones, it will follow necessarily that none
of the parts of the building can be removed far from the eye, and
therefore that the whole mass of it cannot be large. It is not even
desirable that it should be so; for the temper in which the mind
addresses itself to contemplate minute and beautiful details is
altogether different from that in which it submits itself to vague
impressions of space and size. And therefore we must not be
disappointed, but grateful, when we find all the best work of the
building concentrated within a space comparatively small; and that, for
the great cliff-like buttresses and mighty piers of the North, shooting
up into indiscernible height, we have here low walls spread before us
like the pages of a book, and shafts whose capitals we may touch with
our hand.
Public-domain text, read in full here on John Shaqi.
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