Stories About Famous Precious StonesOrpen, Adela E. (Adela Elizabeth Richards)
History
Stories About Famous Precious Stones
Orpen, Adela E. (Adela Elizabeth Richards)
Gems
Its history is of the meagerest. It was found in the month of August,
1850, on the strand at Drogheda, washed up from the deep by some
especially generous tide, and left there for two little boys to pick up.
The mother of the children carried their find to a dealer in old iron,
but he refused to buy so small and insignificant an object. She then
tried a watchmaker, who gave her eighteen pence (thirty six cents) for
the brooch. The watchmaker cleaned it up and then beheld what he
conceived to be a jewel of silver covered with gold filagree. He
thereupon proceeded to Dublin and sold it to Messrs. Waterhouse, the
jewelers, for twelve pounds (sixty dollars), which it must be admitted
was a very fair profit upon his original outlay.
Messrs. Waterhouse exhibited far and wide this jewel which was by them
called the Royal Tara Brooch--a name which serves well enough to
distinguish it from other brooches, but which cannot be said to have any
historical appropriateness. Whatever truth there may be in the legendary
magnificence of "Tara's Halls," there is no reason to suppose that this
brooch was ever displayed within its walls. These walls, whatever their
nature, were represented by green mounds and grassy rath-circles, such
as may be seen to-day, when the so-called Tara Brooch left the hands of
the craftsman who made it.
After a time the Tara Brooch was sold to the Royal Irish Academy for two
hundred pounds (one thousand dollars) which, though by no means an
exorbitant price, was again a very fair profit for Messrs. Waterhouse.
[Illustration: THE TARA BROOCH.]
The form and workmanship of the Brooch are of an early Celtic type, and
it is believed by competent authorities to be extremely ancient, dating
probably from before the eighth century. At any rate, it may with
confidence be placed before the eleventh century, for a certain
design known as the divergent-spiral or trumpet-pattern, which though
common before disappeared from Irish art about that period, is to be
seen among its intricate ornamentation. The groundwork of the jewel is
not silver, as was at first supposed, but white metal, a compound of tin
and copper. It is however the beautiful gold tracery laid upon this
white metal which renders it so famous. No description can give an idea
of what it is. The Tara Brooch must be seen to be understood.
Public-domain text, read in full here on John Shaqi.
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