Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and NotesChadwick, Nora K. (Nora Kershaw)
General
Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and Notes
Chadwick, Nora K. (Nora Kershaw)
Folk songs, Scandinavian; Old Norse literature -- Translations into English; Sagas
_Ulfasker._ A corruption of _Elfasker_. Cf. _GrÌplur_, str. 25, and
note to _Skerries of the Elf_, p. 229 above.
_Dragon_, a common term for a large type of warship in the Viking Age.
_Scoundrels._ The text has _Bl·menn_, i.e. lit. 'Black men', negroes.
But in the Romantic Sagas, owing probably to the influence of stories
relating to the Saracens, pirates are described as _Bl·menn_, even in
stories relating exclusively to the North. Cf. _The Ballad of Hj·lmar
and Angantyr_ (refrain), p. 184, above.
II. _I am going to be Othin's guest_, is a euphemism for 'be slain,'
and is equivalent to 'go to Valhalla,' the abode of slain warriors
which belonged to Othin. See the _Saga of Egil SkallagrÌmsson_, ch.
81, where Thorgerth, Egil's daughter, says that she will have no
supper till she "sup with Freyja."
_No blade would wound Hrˆngvith._ It is not uncommon to hear that a
warrior, usually an unsympathetic character, was immune through spells
from wounds inflicted by weapons; cf. _Beowulf_, l. 804, where this is
stated of Grendel.
III. _Hebrides._ The word _Suthreyjar_, here translated Hebrides,
properly means all the islands off the west coast of Scotland. The
modern form of the word is _Sodor_, surviving in the name of the
diocese of 'Sodor and Man.'
_Ghosts._ It will be seen from the context that the word _draugr_ here
translated 'ghost,' is in reality the animated corpse of the dead man.
This is a common feature of Norse stories (e.g. the _Saga of Grettir
the Strong_, ch. 18).
IV. _Valland_, i.e. France, lit. the 'Land of the _Valar_,' i.e.
of the Celts or Romans. In Anglo-Saxon literature the French are
sometimes called _Galwalas_, i.e. the 'Walas (Welsh) of Gaul'. See
also the _Th·ttr of Nornagest_, ch. 9 and note.
_And he added_, etc. Are we to assume a lacuna here? The composition
of this saga is however far from perfect. In certain passages (e.g. at
the beginning of this chapter) one is inclined to suspect that someone
has tried to combine two different texts of the story.
_Finger nails_, etc. Cf. the physiological fact of the growth of the
finger nails after death, and the legend of Charlemagne according to
which his beard grew through a stone table after his death.
_Gunnlˆth._ Other documents appear to make Hromund a Norwegian, and
this is what we should gather from _Landn·mabÛk_ quoted above (p. 231,
note). See _Hversu Noregr Bygist_, ch. 2.
_Mistletoe_, the name of the sword again connects this story with that
of Balder who is stated in _Vˆlusp·_, str. 32 and _Gylfaginning_, ch.
49 to have been killed by a piece of mistletoe.
V. _Dagny_, the wife of IngjÛld, who was the friend of GrÌm
Lothinkinni. See the _Saga of GrÌm Loinkinni_, ch. 3.
_H·logaland._ See _Hervarar Saga_, ch. 1 and note; and also the Sagas
of _Ketil HÊng_ and _GrÌm Loinkinni_.
_Voli and Bild_, etc. At this point the writer of the saga has omitted
part of the dialogue in which Olaf threatens to hang Hromund. Cf.
_GrÌplur_, p. 383, str. 20, 21.
Public-domain text, read in full here on John Shaqi.
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