Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and NotesChadwick, Nora K. (Nora Kershaw)
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Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and Notes
Chadwick, Nora K. (Nora Kershaw)
Folk songs, Scandinavian; Old Norse literature -- Translations into English; Sagas
The _Ballad of Nornagest_ was published for the first time by Lyngbye
in 1822 in _FÊrˆiske KvÊder om Sigurd Fofnersbane_ etc. In his visit
to the Faroes in 1847-8, Hammershaimb took down the ballad from oral
recitation at Sumb¯. He afterwards collated his version carefully
with those of Svabo, Schr¯ter and Lyngbye, and published the result
in _FÊrˆiske KvÊder_, Vol. I, Copenhagen, 1851. This is the version of
the ballad translated below.
Lyngbye points out that Nornagest has become a well-known character
in modern Faroese legend. We certainly note his popularity in the
ballads, which is no doubt due to his association with Sigurth in the
original story. In some ballads he appears as a companion in arms of
the latter and even as a great warrior himself. He it is who rides
with Sigurth and Virgar to meet the giant in Holmgarth (cf. _RÌsin Ì
Holmgarum_, v. 33), and in _Ragnarlikkja_ (cf. v. 39 ff.) "the fierce
Nornagest" sails with Sigurth, Brand, and Virgar to slay the King of
Girtland; and so too in other stories.
It will be observed that the framework of the story differs
considerably from that of the Saga, notably in the opening and closing
scenes. The beginning of another story, dealing likewise with an old
man, has been substituted for the original opening. The mention of
the boat in verse 40 is perhaps reminiscent of some folk-tale; and the
story of the leaden casket containing the soul of Nornagest which was
sunk in the lake is an interesting instance of the external soul. I
have no doubt that it is a reference to some folk-tale, but have not
yet been able to identify it. Among many primitive peoples, who can
hardly grasp abstract ideas, the life or soul of a man is regarded
as a concrete thing which can be laid aside, and which, so long as
it remains unharmed, will secure for him immortality. There is, for
example, a Hindoo story of a princess whose soul was believed to be in
her necklace.--One day an astrologer said to her parents: "This is
no common child; the necklace of gold about her neck contains your
daughter's soul; let it therefore be guarded with the utmost care; for
if it were taken off and worn by another person, she would die[1]."
Many similar folk-tales are known from Icelandic and Danish sources as
well as from many parts of Europe and Asia.
The air to which the following ballad is sung will be found on pp.
117, 118 of Thuren's _Folkesangen paa FÊr¯erne_.
[Footnote 1: For many interesting parallels, cf. Frazer,
_Golden Bough_ (London, 1911-1915), "Balder the Beautiful,"
ch. II.]
_Nornagests Rima_
Taken down by A. P. BERGGEEN.
[Illustration: Music]
[Lyric:
EÌtt er fr¯i um | Nor-na gest, | Lat tÊr r·-a |
ra-ger Ì | van-da. | Ti likum gÛum | gekk hann nÊst. |
Ox-ar tolv voru | leid-dir · torg, | og so fram · |
fri-u borg. | Gra-ni bar | gul-li af |hei-i. ||]
THE FAROESE BALLAD OF NORNAGEST
Public-domain text, read in full here on John Shaqi.
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