On the third story of the palazzo, shorn of its former papal glories, and yet not degenerated to shabbiness, a door bore the card of Mrs. Henry Denvil. Governess and pupil entered this apartment, and each sought her respective chamber. Cecilia tossed aside her hat, placed the image on the table, and, resting her chin on her hand, gazed at it steadfastly. San Donato, with his aureole glistening, and holding his palm branch, seemed to return her scrutiny mildly--even to interpret her thought. She had never possessed a confidante other than a company of dolls, now banished as too juvenile companions. "Do you see how it will be?" she said aloud to the image. "You shall be placed in the salon, and look down on us all. Nobody will ever banish you again to a dirty little shop. Perhaps my papa will come over for Christmas. Do not tell--I begged him to come in my last letter after mademoiselle had corrected. I do not spell very well in English, you know, while Jack has forgotten it altogether, mamma says. Jack is at school in Switzerland, and I have not seen him for two years. He is my brother." She took up her saint again, and went along the corridor. Her head was erect, and a soft smile played about her mouth. She peeped into the salon, drew back, reflected a moment, and entered. This salon possessed the charm for her of forbidden ground. She was rigidly banished from it by her mother, who received here much company. Hence the delight of seeking some niche up high, where San Donato could be placed. Possibly a gay lady would peer at him through her lorgnette, and inquire, "Pray, my dear Mrs. Denvil, where did you get that little statue?" Mamma would seek _her_ lorgnette, and reply: "A little statue? I rent the apartment, furnished, of Monsignor N----. The count may know." Clearly, San Donato deserved a place of honor, and the salon alone was sufficiently good for him. Cecilia traversed the room slowly, seeking a shrine. The place was dark and silent; draperies of sombre damask shrouded the windows and doorways; chandeliers of Venetian glass swayed down from the vaulted ceiling like garlands of pale, frozen flowers; the floor was of polished, inlaid woods; the bronze and green tints of the wall were relieved by gilded cornices and columns bearing the shield of the count's ancestors. All was stately, impressive, if a trifle tarnished; and the effect of patrician elegance, everywhere apparent, was heightened by an occasional portrait--a Martellini in cavalier hat, with an angel bearing heavenward the family emblem, a hammer; a Martellini as a nun, with long, pale fingers clasped over a rosary.