England -- Fiction; English fiction -- 19th century; Short stories, English
"Circumstances (which it is impossible for me to mention before
we meet) put it out of my power to help you--unless I attach to my
most sincere offer of service a very unusual and very embarrassing
condition. If you are on the brink of ruin that misfortune will
plead my excuse--and your excuse too, if you accept the loan on my
terms. In any case, I rely on the sympathy and forbearance of the
man to whom I owe my life.
"After what I have now written, there is only one thing to add: I
beg to decline accepting your excuses, and I shall expect to see
you to-morrow evening, as we arranged. I am an obstinate old woman,
but I am also your faithful friend and servant,
"MARY CALLENDER."
Ernest looked up from the letter. "What can this possibly mean?"
he wondered.
But he was too sensible a man to be content with wondering; he
decided on keeping his engagement.
What Dr. Johnson called "the insolence of wealth" appears far more
frequently in the houses of the rich than in the manners of the
rich. The reason is plain enough. Personal ostentation is, in the
very nature of it, ridiculous; but the ostentation which exhibits
magnificent pictures, priceless china, and splendid furniture,
can purchase good taste to guide it, and can assert itself without
affording the smallest opening for a word of depreciation or a look
of contempt. If I am worth a million of money, and if I am dying
to show it, I don't ask you to look at me, I ask you to look at my
house.
Keeping his engagement with Mrs. Callender, Ernest discovered that
riches might be lavishly and yet modestly used.
In crossing the hall and ascending the stairs, look where he might,
his notice was insensibly won by proofs of the taste which is not
to be purchased, and the wealth which uses, but never exhibits,
its purse. Conducted by a man-servant to the landing on the first
floor, he found a maid at the door of the boudoir waiting to
announce him. Mrs. Callender advanced to welcome her guest, in a
simple evening dress, perfectly suited to her age. All that had
looked worn and faded in her fine face by daylight was now softly
obscured by shaded lamps. Objects of beauty surrounded her, which
glowed with subdued radiance from their background of sober colour.
The influence of appearances is the strongest of all outward
influences, while it lasts. For the moment the scene produced its
impression on Ernest, in spite of the terrible anxieties which
consumed him. Mrs. Callender in his office was a woman who had
stepped out of her appropriate sphere. Mrs. Callender in her own
house was a woman who had risen to a new place in his estimation.
"I am afraid you don't thank me for forcing you to keep your
engagement," she said, with her friendly tones and her pleasant
smile.
"Indeed I do thank you," he replied. "Your beautiful house and your
gracious welcome have persuaded me into forgetting my troubles--for
a while."
The smile passed away from her face. "Then it is true," she said,
gravely.
"Only too true."
Public-domain text, read in full here on John Shaqi.
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