England -- Fiction; English fiction -- 19th century; Short stories, English
With the clause that followed Ernest was already acquainted.
"Will you now believe that I never loved till I saw your face for
the first time?" said his wife. "I had no experience to place me
on my guard against the fascination--the madness, some people might
call it--which possesses a woman when all her heart is given to
a man. Don't despise me, my dear! Remember that I had to save you
from disgrace and ruin. Besides, my old stage remembrances tempted
me. I had acted in a play in which the heroine did--what I have done.
It didn't end with me as it did with her in the story. _She_
was represented as rejoicing in the success of her disguise. I have
known some miserable hours of doubt and shame since our marriage.
When I went to meet you in my own person at the picture-gallery,
oh, what relief, what joy I felt when I saw how you admired me! It
was not because I could no longer carry on the disguise; I was able
to get hours of rest from the effort, not only at night, but in
the daytime, when I was shut up in my retirement in the music-room,
and when my maid kept watch against discovery. No, my love! I hurried
on the disclosure because I could no longer endure the hateful
triumph of my own deception. Ah, look at that witness against me!
I can't bear even to see it."
She abruptly left him. The drawer that she had opened to take out
the copy of the will also contained the false gray hair which she
had discarded. It had only that moment attracted her notice. She
snatched it up and turned to the fireplace.
Ernest took it from her before she could destroy it. "Give it to
me," he said.
"Why?"
He drew her gently to his bosom, and answered, "I must not forget
my old wife."
THE PHILOSOPHER IN THE APPLE ORCHARD
BY ANTHONY HOPE
Public-domain text, read in full here on John Shaqi.
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