English fiction -- 19th century; Ireland -- Fiction; Short stories, English
Poor Moya did not go to bed that night, but sat at the fire, every
moment impatiently expecting his return. Often did she listen at the
door to try if she could hear the tramp of the horse’s footsteps
approaching. But in vain; no sound met her ear except the sad wail of
the night wind, moaning fitfully through the tall bushes which
surrounded the ancient dwelling, or the sullen roar of a little dark
river, which wound its way through the lowlands at a small distance from
where she stood. Tired with watching, at length she fell asleep on the
hearth-stone; but that sleep was disturbed and broken, and frightful and
appalling dreams incessantly haunted her imagination.
At length the darksome morning appeared struggling through the wintry
clouds, and Moya again opened the door to look out. But what was her
dismay when she found the horse standing at the stable door without his
rider, and the saddle all besmeared with clotted blood. She raised the
death-cry; the neighbours thronged round, and it was at once declared
that the hapless man was robbed and murdered. A party on horseback
immediately set forward to seek him, and on arriving at the fatal spot
he was found stretched on his back in the ditch, his head perforated
with shot and slugs, and his body literally immersed in a pool of blood.
On examining him it was found that his money was gone, and a valuable
gold watch and appendages abstracted from his pocket. His remains were
conveyed home, and, after having been waked the customary time, were
committed to the grave of his ancestors in the little green churchyard
of the village.
Having no legitimate children, the nearest heir to his property was a
brother, a cabinet-maker, who resided in London. A letter was
accordingly despatched to the brother announcing the sad catastrophe,
and calling on him to come and take possession of the property; and two
men were appointed to guard the place until he should arrive.
Public-domain text, read in full here on John Shaqi.
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