American fiction -- 19th century; California -- Fiction; Short stories
“Then they say, 'Dry up,' and 'Sell out;' and the great bankers say,
'Name your own price for your stock, and resign.' And I say, 'There is
not enough gold in your bank, in your San Francisco, in the mines of
California, that shall buy a Spanish gentleman. When I leave, I leave
the stock at my back; I shall take it, nevarre! Then the banker he say,
'And you will go and blab, I suppose?' And then, Pancho, I smile, I
pick up my mustache--so! and I say: 'Pardon, senor, you haf mistake, The
Saltillo haf for three hundred year no stain, no blot upon him. Eet is
not now--the last of the race--who shall confess that he haf sit at a
board of disgrace and dishonor!' And then it is that the band begin to
play, and the animals stand on their hind leg and waltz, and behold, the
row he haf begin!”
I ran over to him, and fairly hugged him. But he put me aside with
a gentle and philosophical calm. “Ah, eet is nothing, Pancho. It is,
believe me, all the same a hundred years to come, and where are you,
then? The earth he turn round, and then come el temblor, the earthquake,
and there you are! Bah! eet is not of the board that I have asked you
to come; it is something else I would tell you. Go and wash yourself
of thees journey, my leetle brother, as I have”--looking at his narrow,
brown, well-bred hands--“wash myself of the board. Be very careful of
the leetle old woman, Pancho; do not wink to her of the eye! Consider,
my leetle brother, for one hundred and one year he haf been as a nun, a
saint! Disturb not her tranquillity.”
Yes, it was the old Enriquez; but he seemed graver,--if I could use that
word of one of such persistent gravity; only his gravity heretofore had
suggested a certain irony rather than a melancholy which I now fancied I
detected. And what was this “something else” he was to “tell me later”?
Did it refer to Mrs. Saltillo? I had purposely waited for him to speak
of her, before I should say anything of my visit to Carquinez Springs.
I hurried through my ablutions in the hot water, brought in a bronze jar
on the head of the centenarian handmaid; and even while I was smiling
over Enriquez's caution regarding this aged Ruth, I felt I was getting
nervous to hear his news.
I found him in his sitting-room, or study,--a long, low apartment with
small, deep windows like embrasures in the outer adobe wall, but glazed
in lightly upon the veranda. He was sitting quite abstractedly, with a
pen in his hand, before a table, on which a number of sealed envelopes
were lying. He looked SO formal and methodical for Enriquez.
Public-domain text, read in full here on John Shaqi.
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