"The more I saw her, the more I had reason to admire her. Her mind seemed to unfold itself leaf by leaf, and every time to discover new sweetness. Nobody knew her so well as I, for she was generally silent.... Never did I meet with more intuitive rectitude of mind, more delicacy, more exquisite propriety in word, thought, and action than in this young creature. Her brilliant little sister used to say that 'people began by admiring her, but ended by loving Matilda.' For my part I idolized her." Irving then continues by giving a long account of his efforts to succeed in his literary and legal work with a view of earning a place in life so as to enable him to marry. "In the midst of this struggle and anxiety she fell into a consumption. I cannot tell you what I suffered.... I saw her fade rapidly away, beautiful, and more beautiful, and more angelic to the very last. I was often by her bedside, and when her mind wandered she would talk to me with a sweet, natural, and affecting eloquence that was overpowering. I saw more of the beauty of her mind in that delirious state than I ever had before.... I was by her when she died, and was the last she ever looked upon.... She was but seventeen." So poignant was the grief of Irving that for thirty years after her death he did not like any one to mention her name to him. One day he was visiting her father when one of her nieces, taking some music from a drawer, brought with it a piece of embroidery. "Washington," said Mr. Hoffman, "this was poor Matilda's work." The effect was instantaneous. The light-hearted conversationalist of a moment before became silent and soon left the house. When in _Bracebridge Hall_ he writes,--"I have loved as I never again shall love in this world--I have been loved as I shall never again be loved,"--is he not thinking of the fair Matilda? And in a note-book we find,--"She died in the beauty of her youth, and in my memory she will ever be young and beautiful."