Stories of Authors, British and AmericanChubb, Edwin Watts
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Stories of Authors, British and American
Chubb, Edwin Watts
Authors, American -- Biography; Authors, English -- Biography
"Monsieur je m'appelle Cooper."
"Eh bien, donc, je suis Walter Scott."
After a minute or two of French Sir Walter suddenly recollected
himself and said: "Well, here have I been _parley vooing_ to you in a
way to surprise you, no doubt, but these Frenchmen have got my tongue
so set to their lingo that I have half forgotten my own language."
I have said that Cooper was not popular. This is not putting it strong
enough. He was more than unpopular; he was hated by his neighbors, and
slandered by the press at home and abroad. This lamentable condition
of affairs was not due to any despicable qualities in the man, for
Cooper was a kind father, an affectionate husband, a good citizen, and
an honest, truth-loving man. These seem admirable qualities. Of few of
us can much higher praise be spoken. Why then did the citizens of
Cooper's home village hold a mass meeting and pass resolutions to the
effect that Cooper had rendered "himself odious to a greater portion
of the citizens of this community," and why should _Fraser's
Magazine_, three thousand miles away, call Cooper "a liar, a bilious
braggart, a full jackass, an insect, a grub, and a reptile"?
The cause is not far to seek. Cooper was the most disputatious man in
the history of American literature. Cooper used to tell the story of
the man who in an argument was met with: "Why it is as plain as that
two and two make four." "But I deny that too," was the retort, "for
two and two make twenty two." Cooper was himself that sort of a man.
He always had a quarrel on his hands. The more pugnacious a man is,
the more militant he will find society. He instituted libel suits
against the most prominent editors in the country, among them Horace
Greeley and Thurlow Weed. And what is more to the point,--he won his
cases. But this did not make him any more popular with the press. When
we remember that Billingsgate was an important part of the literary
equipment of the critic of Cooper's time, we need not be surprised
that Cooper's pugnacity evoked such sweet disinterestedness as Park
Benjamin indulged in when he called Cooper "a superlative dolt, and a
common mark of scorn and contempt of every well-informed American."
Public-domain text, read in full here on John Shaqi.
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