Stories of Authors, British and AmericanChubb, Edwin Watts
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Stories of Authors, British and American
Chubb, Edwin Watts
Authors, American -- Biography; Authors, English -- Biography
In closing these reminiscences, I may be allowed to make a few remarks
founded upon my actual personal knowledge of Poe, in at least the
phase of character in which he appeared to me. What he may have been
to his ordinary associates, or to the world at large, I do not know;
and in the picture presented to us by Dr. Griswold,--half maniac, half
demon,--I confess, I cannot recognize a trait of the gentle, grateful,
warm-hearted man whom I saw amid his friends,--his careworn face all
aglow with generous feeling in the kindness and appreciation to which
he was so little accustomed. His faults were sufficiently apparent;
but for these a more than ordinary allowance should be made, in
consideration of the unfavorable influences surrounding him from his
very birth. He was ever the sport of an adverse fortune. Born in
penury, reared in affluence, treated at one time with pernicious
indulgence and then literally turned into the streets, a beggar and an
outcast, deserted by those who had formerly courted him, maliciously
calumniated, smarting always under a sense of wrong and
injustice,--what wonder that his bright, warm, and naturally generous
and genial nature should have become embittered? What wonder that his
keenly sensitive and susceptible poetic temperament should have become
jarred, out of tune, and into harsh discord with himself and mankind?
Let the just and the generous pause before they judge; and upon their
lips the breath of condemnation will soften into a sigh of sympathy
and regret.
LX
ARTEMUS WARD
Poor Artemus! says Haweis in his lecture on the American humorist, I
shall not see his like again, as he appeared for a few short weeks
before an English audience at the Egyptian Hall, Piccadilly.
Sometimes, as to looks, profoundly dejected, at others shy or
reproachful; nervously anxious to please (apparently), yet with a
certain twinkle at the back of his eye which convinced you of his
perfect _sang froid_, and one thing always--full, unescapably full, of
fun....
When Artemus arrived here in 1866 he was a dying man.
I can see him now, as he came on the narrow platform in front of his
inferior panorama, and stole a glance at the densely packed room and
then at his panorama.
His tall, gaunt, though slender figure, his curly light hair and large
aquiline nose, which always reminded me of a macaw; his thin face
flushed with consumption, his little cough, which seemed to shake him
to pieces, and which he said "was wearing him out," at which we all
laughed irresistibly, and then felt ashamed of ourselves, as well we
might; but he himself seemed to enjoy his cough. It was all part of
that odd, topsy-turvy mind in which everything appeared most natural
upside down!
On first entering he would seem profoundly unconscious that anything
was expected of him, but after looking at the audience, then at his
own clothes, and then apologetically at his panorama, he began to
explain its merits.
Public-domain text, read in full here on John Shaqi.
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