Literature -- Collections; Mystery fiction; Short stories
I need hardly say how soon the glories of earth, sea, and sky,
which we had been contemplating, shrank into mere accessories around
that one central figure, as she stood gazing upon them through the
shrouds and spars from our deck. But, notwithstanding the beauty of
the scene and the hour, she did not hold her position long to enjoy
them. She had, in appearing thus before strange men, evidently by a
great effort, done that which she shrank from doing; but whether
in obedience to her own will or to that of another, we could not
guess. The ice thus broken, however, she was the INVISIBLE PRINCESS
no longer. Emboldened by two or three subsequent moonlight and
twilight ventures, she at length came out in the sunset, and I
doubt if the setting sun ever revealed a lovelier sight than greeted
our eyes on that evening. A glance in the clear light satisfied us
that the superhuman beauty we almost worshipped, and the splendor
that seemed too lavish to be real, were no mere glamor of lamplight
or moonlight, but surpassed in the reality all that our stunted,
sceptical, Western imaginations, even stimulated as they were,
had dared to anticipate.
I might attempt to describe her. I might tell you that her every
limb and every feature seemed perfect in its form and its harmony
with the others; that her complexion was a fresh, delicate bloom,
without spot or blemish; that the innumerable braids of her long,
black hair were ravishingly glossy and soft; that her great, dark
eyes were bewilderingly bright and wise, and expressive of everything
enchanting and good that eyes can express; that her smile,--but
no! her smile was an expression of her individuality too subtle
for words to catch; and without any power of revealing this
individuality, this all that distinguished her from merely mortal
woman and made her angelic, where is the use of attempting to describe
her? Of her garments, by a recurrence to Lady Mary Wortley Montagu
for the names of them, I could give you a description, from the
golden-flowered, diamond-studded kerchief wreathed in her hair,
to the yellow Cinderella slippers that covered her fairy feet.
But the gauzy fabric that enfolded though it scarcely concealed
her bosom, the vest of white damask stuff inwoven and fringed with
gold and silver, the caftan, and the trousers of crimson embossed
and embroidered with flowers of the same gorgeous materials, all
were buttoned and guarded and overstrewn with jewels, while the
broad belt that confined them was literally encrusted with diamonds
and clasped by a magnificent bouquet of flowers wrought by the
lapidary from diamonds, rubies, emeralds, sapphires, and pearls,
so exquisitely that the artist showed a skill in them almost worthy
of his materials.
Public-domain text, read in full here on John Shaqi.
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