“‘“By the saints, Sir Knights,” said Sir Godfrey Gernon, “you may as well beard one another about the love of ‘some bright particular star and think to wed it,’ as the wild wizard of Warwick says, as quarrel about this unattainable love. Hearken, minstrels: while we drain our cups to this beauteous lass, sing some of you a kindly love-strain, wondrously mirthful and melancholy. Here’s a cup of Rhenish, and a good gold Harry in the bottom on’t, for the minstrel who pleases me.” The minstrels laid their hands on the strings, and a sound was heard like the swarming of bees before summer thunder. “Sir Knight,” said one, “I will sing ye Cannie Johnnie Armstrong with all the seventeen variations.” “He was hanged for cattle stealing,” answered the knight; “I’ll have none of him.” “What say you to Dick of the Cow, or the Harper of Lochmaben?” said another, with something of a tone of diffidence. “What! you northern knaves, can you sing of nothing but thievery and jail-breaking?” “Perhaps your knightship,” humbly suggested a third, “may have a turn for the supernatural, and I’m thinking the Fairy Legend of young Tamlane is just the thing that suits your fancy.” “I like the naïveté of the young lady very much,” answered the knight, “but the fair dames of Derbyshire prize the charms of lovers with flesh and blood, before the gayest Elfin-knight that ever ran a course from Carlisle to Caerlaverock.” “What would your worship say to William of Cloudesley?” said a Cumberland minstrel. “Or to the Friar of Orders Grey?” said a harper from the halls of the Percys. “‘“Minstrels,” said Sir Ralph Cavendish, “the invention of sweet and gentle poesy is dead among you. Every churl in the Peak can chant us these beautiful but common ditties. Have you nothing new for the honor of the sacred calling of verse and the beauty of Dora Vernon? Fellow,——harper,——what’s your name?——you with the long hair and the green mantle,” said the knight, beckoning to a young minstrel who sat with his harp held before him, and his face half buried in his mantle’s fold; “come, touch your strings and sing; I’ll wager my gold-hilted sword against that pheasant feather in thy cap, that thou hast a new and a gallant strain; for I have seen thee measure more than once the form of fair Dora Vernon with a ballad-maker’s eye. Sing, man, sing.” “‘The young minstrel, as he bowed his head to this singular mode of request, blushed from brow to bosom; nor were the face and neck of Dora Vernon without an acknowledgment of how deeply she sympathized in his embarrassment. A finer instrument, a truer hand, or a more sweet and manly voice hardly ever united to lend grace to rhyme. THE MINSTREL’S SONG.