Short stories; United States -- Social life and customs -- 19th century -- Fiction
"Neither have I, uncle, neither have I," he said; "not chick nor child.
If you ain't too tired, let me show you over the house. I'm sorry the
elevator isn't running, so you could go up to the cupolo. This room's a
sort of e pluribus unum, many in one; kind of a boodwar and kitchen
combined. The other rooms ain't inclosed yet, but they're safe enough
outside. That's the advantage of this climate, you don't have to put
everything under cover. Ground-plan suit you pretty well?"
"I think thee's very cosy," Enoch said, smiling gravely; "when does thee
look for thy wife?"
"Just as soon as she's able," said Jerry, drawing an empty nail-keg
confidentially toward Enoch and seating himself; "you see"--
He stopped short. The cradle behind the old man was still rocking
gently.
"I guess it won't be very long," he added indifferently.
III.
The south-bound train was late, and the few loafers who found their
daily excitement in its arrival had drifted away as it grew dark,
leaving no one but Enoch on the platform. When the train whistled the
station agent opened the office door and his kerosene lamp sent a shaft
of light out into the darkness.
There was the usual noisy banter among the trainmen, and none of them
seemed to notice the woman who alighted from the platform of the
passenger coach and came toward Enoch.
She stood in the light of the doorway, so that the old man could see her
tawdry dress and the travel-dimmed red and white of her painted face.
"Is there a man named Jerry Sullivan livin' in this town?" she asked.
Enoch was conscious of a vague disappointment.
"Yes," he said, half reluctantly, "he lives here. I suppose thee's his
wife."
The woman looked at him curiously. Then she laughed.
"Yes, I suppose I am," she said; "can you show me where he lives?"
"I can't show thee very well in the dark, but it isn't far. If thee'll
wait a minute, I'll take thy satchel and go with thee."
He brought the mail-bag and picked up the stranger's valise.
"Thy husband's been looking for thee," he said, as they went along the
path that led across a vacant lot to the street.
The woman did not reply at once. She seemed intent upon gathering her
showy skirts out of the dust. When she spoke, her voice trembled on the
verge of a laugh.
"That so? I've been lookin' for him, too. Thought I'd give him a
pleasant surprise."
"He's got his house about finished."
The woman stopped in the path.
"His house," she sneered; "he must be rattled if he thinks I'll live in
a place like this--forty miles from nowhere."
They walked on in silence after that to the door of Jerry's shanty.
There was a light inside, and the smell of cooking mingled with the
resinous odor of the new lumber. Jerry was executing a difficult passage
in a very light opera to the somewhat trying accompaniment of frying
ham. The solo stopped abruptly when Enoch knocked.
"Come in," shouted the reckless voice of the singer, "let the good
angels come in, come in!"
Enoch opened the door.
Public-domain text, read in full here on John Shaqi.
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