Stories of the ShipsFreeman, Lewis R. (Lewis Ransome)
History
Stories of the Ships
Freeman, Lewis R. (Lewis Ransome)
World War, 1914-1918 -- Naval operations
"Many of the officers have their golf clubs and tennis racquets, and
though our links and courts would hardly satisfy the critical eyes of
St. Andrews or 'Queens' professionals, they have been a big help to us.
Cross-country runs and paper-chases, up and down the steep hills and
over the soggy peat bogs, are taken part in by both men and officers,
and for flesh-reducing, muscle-hardening, and chest-expanding are about
the best thing we have. The tug-of-war is a traditional Navy sport, for
it can, if necessary, be enjoyed on shipboard as well as ashore. The
great pride which the men of a ship take in the success of its team
makes this also a very useful sport for its 'psychologic' value.
"Amusements pure and simple--the kinema and theatricals--are a new thing
with us (at least while on active service) and the scheme is still in
process of development. For a number of reasons it is impracticable for
professional troupes to visit the Grand Fleet in the same way as they
have been going to France to entertain the Army. The greater distance
is against it, as is also the fact that we have no place to put them
up. Again, as there is no place where they could perform to more than a
thousand men (at the outside) at one time, it would obviously take some
months to make a round of the Fleet. The fact that the visitors might
awake almost any morning to find themselves on the way to a sea-fight is
also a deterrent. All of these things have made it necessary for us to
shift for ourselves in the matter of entertainment.
"Each ship, of course, has always had its band and orchestra, and
concerts and rather crude theatrical shows have been features of Navy
life from time immemorial. The trouble with the shows, however, has
always been the amount of improvising that they entailed, especially
in the matter of a stage, footlights, seats, and the like. Before the
war the men usually managed to find time to paint and rig 'flies' and
'drops,' devise lighting effects, and even to fix up some kind of
'auditorium.' Here, with the whole ship standing by for orders to put to
sea, all of this was out of the question. Under these circumstances, the
man who first conceived the idea of a special 'theatre ship' deserves a
monument as a benefactor to the British Navy.
Public-domain text, read in full here on John Shaqi.
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