The first approaches of the morning were visible through the grated
windows, breaking, with faint divisions of light, the darkness that
still pervaded every other part, long before Vivenzio was enabled to
distinguish any object in his dungeon. Instinctively and fearfully he
turned his eyes, hot and inflamed with watching, toward them. There were
FOUR! He could _see_ only four: but it might be that some intervening
object prevented the fifth from becoming perceptible; and he waited
impatiently to ascertain if it were so. As the light strengthened,
however, and penetrated every corner of the cell, other objects of
amazement struck his sight. On the ground lay the broken fragments of
the pitcher he had used the day before, and, at a small distance from
them, nearer to the wall, stood the one he had noticed the first night.
It was filled with water, and beside it was his food. He was now certain,
that, by some mechanical contrivance, an opening was obtained through the
iron wall, and that through this opening the current of air had found
entrance. But how noiseless! for, had a feather even waved at the time,
he must have heard it. Again he examined that part of the wall; but both
to sight and touch it appeared one even and uniform surface, while, to
repeated and violent blows, there was no reverberating sound indicative
of hollowness.
This perplexing mystery had for a time withdrawn his thoughts from the
windows; but now, directing his eyes again toward them, he saw that
the fifth had disappeared in the same manner as the preceding two,
without the least distinguishable alteration of external appearances.
The remaining four looked as the seven had originally looked; that is,
occupying at irregular distances the top of the wall on that side of
the dungeon. The tall folding-door, too, still seemed to stand beneath,
in the centre of these four, as it had first stood in the centre of
the seven. But he could no longer doubt what, on the preceding day,
he fancied might be the effect of visual deception. The dungeon _was_
smaller. The roof had lowered; and the opposite ends had contracted the
intermediate distance by a space equal, he thought, to that over which
the three windows had extended. He was bewildered in vain imaginings to
account for these things. Some frightful purpose, some devilish torture
of mind or body, some unheard-of device for producing exquisite misery,
lurked, he was sure, in what had taken place.
Public-domain text, read in full here on John Shaqi.
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