The clock-bell, in particular, now drew attention. Under a patient
chisel, the latent beauty of its enrichments, before obscured by the
cloudings incident to casting, that beauty in its shiest grace, was
now revealed. Round and round the bell, twelve figures of gay girls,
garlanded, hand-in-hand, danced in a choral ring,—the embodied hours.
“Bannadonna,” said the chief, “this bell excels all else. No added touch
could here improve. Hark!” hearing a sound, “was that the wind?”
“The wind, Eccellenza,” was the light response. “But the figures, they
are not yet without their faults. They need some touches yet. When those
are given, and the—block yonder,” pointing toward the canvas screen,
“when Haman there, as I merrily call him,—him? _it_, I mean,—when Haman
is fixed on this, his lofty tree, then, gentlemen, shall I be most happy
to receive you here again.”
The equivocal reference to the object caused some return of restlessness.
However, on their part, the visitors forbore further allusion to it,
unwilling, perhaps, to let the foundling see how easily it lay within
his plebeian art to stir the placid dignity of nobles.
“Well, Bannadonna,” said the chief, “how long ere you are ready to set
the clock going, so that the hour shall be sounded? Our interest in you,
not less than in the work itself, makes us anxious to be assured of your
success. The people, too,—why, they are shouting now. Say the exact hour
when you will be ready.”
“To-morrow, Eccellenza, if you listen for it,—or should you not, all the
same,—strange music will be heard. The stroke of one shall be the first
from yonder bell,” pointing to the bell adorned with girls and garlands;
“that stroke shall fall there, where the hand of Una clasps Dua’s. The
stroke of one shall sever that loved clasp. To-morrow, then, at one
o’clock, as struck here, precisely here,” advancing and placing his
finger upon the clasp, “the poor mechanic will be most happy once more to
give you liege audience, in this his littered shop. Farewell till then,
illustrious magnificoes, and hark ye for your vassal’s stroke.”
His still, Vulcanic face hiding its burning brightness like a forge,
he moved with ostentatious deference toward the scuttle, as if so far
to escort their exit. But the junior magistrate, a kind-hearted man,
troubled at what seemed to him a certain sardonical disdain, lurking
beneath the foundling’s humble mien, and in Christian sympathy more
distressed at it on his account than on his own, dimly surmising
what might be the final fate of such a cynic solitaire, nor perhaps
uninfluenced by the general strangeness of surrounding things,—this good
magistrate had glanced sadly, sidewise from the speaker, and thereupon
his foreboding eye had started at the expression of the unchanging face
of the hour Una.
“How is this, Bannadonna?” he lowly asked, “Una looks unlike her sisters.”
Public-domain text, read in full here on John Shaqi.
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