Story of the War in South Africa, 1899-1900Mahan, A. T. (Alfred Thayer)
History
Story of the War in South Africa, 1899-1900
Mahan, A. T. (Alfred Thayer)
South African War, 1899-1902
Superficial advantages at once strike the eye and impress the mind,
and it was to the kopje therefore that the Boer first looked as the
natural feature upon which to found his tactical and strategic scheme
of offence. Its command over the plain country, by permitting fire
tier above tier, compensated in part for any lack of development due
to limited length or other causes, and afforded also several lines of
defence to be successively occupied. But the height, while it imposes
difficulties upon the attacker, has also drawbacks of its own. A
downward, plunging fire demands definite precision and accuracy of
{p.144} aim, and in mark firing error in elevation is more commonly
found than swerving to the right or left. The ordinary shot is more
apt to fire over a man's head, or strike the ground ahead of him, than
to miss him to one side or the other. When, therefore, it had been
found by a few experiences--Talana Hill, Elandslaagte, Belmont and
Graspan, in all of which the kopje bore a principal part in the scheme
of defence--that the British soldier could not be stopped by them
alone, the Boers, without abandoning the kopjes, reinforced them where
the ground allowed by utilising the beds of the streams, which except
in time of flood are nearly waterless. Men looking over the edge of a
steep trench glance nearly along the ground in front of them, and if
that be clear, unless they are singularly inexpert, their shots sweep
along the surface so little above it that they are sure to catch men
in front, so far as their height is concerned. This was done at Modder
River, two-thirds of the way--forty-five miles--from Orange River, and
also at Colenso; while at the disastrous battle of Magersfontein the
Boers had strengthened one {p.145} flank of their line by an
artificial trench, which was backed by a kopje.
Public-domain text, read in full here on John Shaqi.
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