In answer to the call, a tall, handsome, earnest-eyed boy advanced timidly to the platform. It was no wonder that those enthusiastic Gideonite visionaries should have seen in his face the visible stamp of the Apostleship. Paul Owen had a rich crop of dark-brown glossy and curly hair, cut something after the Florentine Cinque-cento fashion--not because his parents wished him to look artistic, but because that was the way in which they had seen the hair dressed in all the sacred pictures that they knew; and Margaret Owen, the daughter of some Wesleyan Spitalfields weaver folk, with the imaginative Huguenot blood still strong in her veins, had made up her mind ever since she became Convinced of the Truth (as their phrase ran) that her Paul was called from his cradle to a great work. His features were delicately chiselled, and showed rather natural culture, like his mother's, than rough honesty, like John Owen's, or strong individuality, like the masterful Apostle's. His eyes were peculiarly deep and luminous, with a far-away look which might have reminded an artist of the central boyish figure in Holman Hunt's picture of the Doctors in the Temple. And yet Paul Owen had a healthy colour in his cheek and a general sturdiness of limb and muscle which showed that he was none of your nervous, bloodless, sickly idealists, but a wholesome English peasant boy of native refinement and delicate sensibilities. He moved forward with some natural hesitation before the eyes of so many people--ay, and what was more terrible, of the entire Church upon earth; but he was not awkward and constrained in his action like his father. One could see that he was sustained in the prominent part he took that morning by the consciousness of a duty he had to perform and a mission laid upon him which he must not reject. "Are you willing, my son Paul," asked the Apostle, gravely, "to take upon yourself the task that the Church proposes?" "I am willing," answered the boy in a low voice, "grace preventing me."