Strange Survivals: Some Chapters in the History of ManBaring-Gould, S. (Sabine)
History
Strange Survivals: Some Chapters in the History of Man
Baring-Gould, S. (Sabine)
Manners and customs -- Origin; Superstition
With regard to the solar-wheel, a great deal of very interesting
information has been collected by M. Gaidoz.[40] He points out that in
the museums of France there are a good many monuments that represent
the sun-wheel along with the thunderbolt as the symbol of Jupiter, that
is to say, the old Gaulish solar-god identified with the Roman deity,
Jupiter. Gaulish warriors wore a wheel on their helmets--a wheel was a
favourite symbol as a personal ornament, or perhaps as an amulet. The
wheel-window in a Gothic minster derives from the solar-wheel.
[Illustration: _Fig. 41._--ALTAR TO THE SOLAR-GOD, NIMES.]
When Constantine led his legions against Maxentius, he professed to
have seen a sign in the heavens, and he believed it to be a token of
Christ’s assistance. What he really saw was a mock-sun. He adopted and
adapted the sign for his standards, and the _Labarum_ of Constantine
became a common Christian symbol. That there was policy in his conduct
we can hardly doubt; the symbol he set up gratified the Christians in
his army on one side, and the Gauls on the other. To the former it
was a sign compounded of the initial letters of Christ, to the latter
it was the token of the favour of their solar deity. An addition
Constantine certainly made to the six-rayed wheel, but it was not one
that materially affected its character.
Among the Sclavonic races in like manner the sun was worshipped, and
worshipped with symbols precisely the same.
[Illustration: _Fig. 42._--THE LABARUM.]
The solar god of the Sclaves was Swanto Wit or Swato Wit, _i.e._, Holy
Light. The sun was the chief god of the Sclaves, and as the cock crows
before sunrise and announces the coming day, the cock was regarded
as sacred to the god, and sacrificed to it. The worship of this god
consisted in circular dances, called _kolos_, and the dance was taken
to represent the revolution of the planets, the constellations, the
seasons about the sun. An old writer says of the dances of Swanto
Wit that they were celebrated annually on the feast of St. John the
Baptist, that is, on Midsummer Day. “Benches are placed in a circle,
and these are leaped over by those who take part in the rite. No
one is allowed to be present dressed in red. The entire month that
precedes St. John’s Day, the votaries are in an excited condition, and
in carrying on their dances they fall a prey to nervous terrors.”[41]
Another writer tells us that they swung about a fiery wheel in their
dances, a symbol of the solar disc.[42]
Public-domain text, read in full here on John Shaqi.
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