Straws and prayer-books; dizain des diversionsCabell, James Branch
Philosophy
Straws and prayer-books; dizain des diversions
Cabell, James Branch
Authorship
Besides, the literary artist, I must here repeat, labors primarily
to divert himself. A man can get many emotions from contemplating a
quite candid portrait of the person he finds in his own mind and in
the bathtub, but pleasure, I suspect, is not one of them. So when the
artist takes as his ostensible theme himself, he must take too the
liberty to adorn that theme with such variations as may happen to
strike his fancy. Otherwise, his art might very well fail in its main
purpose, which--need I say again?--is to divert the artist.
§ 87
And I shall here claim the advantage of my own rulings, I shall here
divert myself by turning candidly to egotism, without any beatings
about the bush in search of even one fig-leaf.... I have, then, always
aimed to give my writings some quality of permanence: but I am in smug
accord with all the more unsympathetic of my critics in detecting in no
one of my now numerous volumes any tendency to immortalize me. That is
a fault of which the Biography, I rejoicingly protest, is innocent.
It would, for one matter, be unendurable to find myself portrayed in
books which I so often am forced to read in the already depressing
enough pursuit of misprints and blunders. For no man--as Molière and
Isaiah and William Dean Howells have all not improbably observed, at
some time or another,--cares quite to face the truth about himself.
Looking back upon my own past, I find it undiversified, under howsoever
many dappling clouds of legend, by any very striking crimes: but there
is much of what to the first glance seems shirking and equivocation,
so much of petty treacheries, of small lies, and of responsibilities
evaded, that I am whole-heartedly glad to reflect my private
observatory is not, and never will be, open to the public. Item by
item, I can explain away each one of the disfiguring features; I can
prove, in my half-magnanimous and half-aggrieved meditations, that
in no one of these affairs was I really to blame; and I can utterly
extenuate myself from all fault and wrong-doing. I do, very often.
But, at bottom,--even so,--somewhere,--lurks as if clouded with much
ink the cuttlefish suspicion that I may not after all be endowed with
the wholly blameless and, indeed, heroic character which mere logic
assures me I possess. I have the notion, too, that many of my most near
associates would agree with the suspicion rather than the logic.
Public-domain text, read in full here on John Shaqi.
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