Straws and prayer-books; dizain des diversionsCabell, James Branch
Philosophy
Straws and prayer-books; dizain des diversions
Cabell, James Branch
Authorship
Well, and to Linda, also, was beauty a nuisance,--"a bitter and
luxurious god," that implacably required to be honored with sacrifices
of common joys and ties and ruddy interests, but was none the less
divine. Sustained by this one faith, Linda Hallet goes out of the
story, when youth is over, and when she too must pass,--and goes
regarding not very seriously that which is human and ephemeral, even as
embodied in her lovers and her children, nor in herself, but, rather,
always turning grave blue eyes toward that which is--perhaps--divine.
She passes, as at once the abandoned sanctuary, the priestess, the
postulant, and the martyr, of that beauty to which fools had referred
as "hers." She passes not as the wreckage of a toy, but as an outworn
instrument which has helped to further--it may be--the labor of a god.
For she passes, as all must pass, without any assurance of achievement;
but with content. That, really, is the happy end....
§ 66
--Which reminds me that for the most part I am rattling very old
bones. Those seemingly unfruitful fourteen years are to-day at one
with those other fourteen years which brought an elder Joseph into
Egyptian publicity. Neglected merit has here been rewarded with that
sort of loud and full-blown triumphing which in fairy-stories moves
us to delighted applause, and in real life to instant, envious, sharp
disparagement. For Mr. Hergesheimer has long ago "arrived": his books
have found their proper and appreciative audience; whereas his short
stories are purchased, and probably read, along with the encomiums of
ready-made clothing and safety razors, by the I forget how many million
buyers of the world's most popular magazine....
Now, here, when I first wrote about Mr. Hergesheimer, here I seemed
to find stark provocations of uneasiness. I spoke with diffidence,
and was not entirely swayed, I believe, by the natural inclination of
every writer to backbite his fellow craftsman. In any event, dismissing
_Gold and Iron_ (after some reflection) with unqualified applause,
I took up _The Happy End_: and of the seven stories contained
therein six seemed to me to display a cornerstone of eminently
"popular" psychology, ranging from the as yet sacrosanct belief that
all Germans are perfectly horrid people, to the axiom that the
youngest, unrespected brother is invariably the one to exterminate the
family enemies; and duly including the sentiment that noble hearts
very often beat under ragged shirts. And I was made uneasy by the
spectacle of these uplifting faiths--these literary baking powders more
properly adapted to the Horrible Trites and the Gluepot Stews among
reading-matter confectioners,--thus utilized by a Joseph Hergesheimer.
Public-domain text, read in full here on John Shaqi.
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