But this with other labours were mere by-play. The design upon which his energies were mainly concentrated was "to exhibit a complete ecclesiastical history of England to the Reformation," and the two volumes of the 'Anglia Sacra,' which appeared during his life, were intended as a partial fulfilment of this design. Of these, as they now stand, the second is by far the more valuable. The four archiepiscopal biographies by Osbern, the three by Eadmer, Malmesbury's lives of Aldhelm and Wulstan, the larger collection of works by Giraldus Cambrensis, Chaundler's biographies of Wykeham and Bekington, and the collection of smaller documents which accompanied these, formed a more valuable contribution to our ecclesiastical history than had up to Wharton's time ever been made. The first volume contained the chief monastic annals which illustrated the history of the sees whose cathedrals were possessed by monks; those served by canons regular or secular were reserved for a third volume, while a fourth was to have contained the episcopal annals of the Church from the Reformation to the Revolution. The last however was never destined to appear, and its predecessor was interrupted after the completion of the histories of London and St. Asaph by the premature death of the great scholar. In 1694 Battely writes a touching account to Strype of his interview with Wharton at Canterbury:--"One day he opened his trunk and drawers, and showed me his great collections concerning the state of our Church, and with a great sigh told me his labours were at an end, and that his strength would not permit him to finish any more of that subject." Vigorous and healthy as his natural constitution was he had worn it out with the severity of his toil. He denied himself refreshment in his eagerness for study, and sat over his books in the bitterest days of winter till hands and feet were powerless with the cold. At last nature abruptly gave way, his last hopes of recovery were foiled by an immoderate return to his old pursuits, and at the age of thirty-one Henry Wharton died a quiet scholar's death. Archbishop Tenison stood with Bishop Lloyd by the grave in Westminster, where the body was laid "with solemn and devout anthems composed by that most ingenious artist, Mr. Harry Purcell;" and over it were graven words that tell the broken story of so many a student life:--"Multa ad augendam et illustrandam rem literariam conscripsit; plura moliebatur."