Not every one will remember when the Earl of Hitesbury came to East Seventy–––– Street, America. He was only a fair-to-medium earl, without debts, and he created little excitement. But you will surely remember the evening when the Daughters of Benevolence held their bazaar in the W––––f-A––––a Hotel. For you were there, and you wrote a note to Fannie on the hotel paper, and mailed it, just to show her that—you did not? Very well; that was the evening the baby was sick, of course. At the bazaar the McRamseys were prominent. Miss Mer—er—McRamsey was exquisitely beautiful. The Earl of Hitesbury had been very attentive to her since he dropped in to have a look at America. At the charity bazaar the affair was supposed to be going to be pulled off to a finish. An earl is as good as a duke. Better. His standing may be lower, but his outstanding accounts are also lower. Our ex-young-lady-cashier was assigned to a booth. She was expected to sell worthless articles to nobs and snobs at exorbitant prices. The proceeds of the bazaar were to be used for giving the poor children of the slums a Christmas din––––Say! did you ever wonder where they get the other 364? Miss McRamsey—beautiful, palpitating, excited, charming, radiant—fluttered about in her booth. An imitation brass network, with a little arched opening, fenced her in. Along came the Earl, assured, delicate, accurate, admiring—admiring greatly, and faced the open wicket. “You look chawming, you know—’pon my word you do—my deah,” he said, beguilingly. Miss McRamsey whirled around. “Cut that joshing out,” she said, coolly and briskly. “Who do you think you are talking to? Your check, please. Oh, Lordy!—” Patrons of the bazaar became aware of a commotion and pressed around a certain booth. The Earl of Hitesbury stood near by pulling a pale blond and puzzled whisker. “Miss McRamsey has fainted,” some one explained. XIX PROOF OF THE PUDDING Spring winked a vitreous optic at Editor Westbrook of the _Minerva Magazine_, and deflected him from his course. He had lunched in his favorite corner of a Broadway hotel, and was returning to his office when his feet became entangled in the lure of the vernal coquette. Which is by way of saying that he turned eastward in Twenty-sixth Street, safely forded the spring freshet of vehicles in Fifth Avenue, and meandered along the walks of budding Madison Square. The lenient air and the settings of the little park almost formed a pastoral; the color motif was green—the presiding shade at the creation of man and vegetation.