Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
“My daughter's house will not be mine. But this is sufficient. I know
the uprightness of your heart. I know that you will reflect deeply
on what I have just said to you. When you have reflected you will
understand that I have pointed out a great danger to you, while yet
there is time to escape it. And you will beware. Now let us talk of
something else, will you?”
He did not insist, but he was much disturbed; he no longer knew what to
think, though indeed he had need for reflection. He went away after a
quarter of an hour of unimportant conversation.
CHAPTER IV
SWEET POISON
With slow steps, Olivier returned to his own house, troubled as if he
had just learned some shameful family secret. He tried to sound his
heart, to see clearly within himself, to read those intimate pages of
the inner book which seemed glued together, and which sometimes only
a strange hand can turn over by separating them. Certainly he did not
believe himself in love with Annette. The Countess, whose watchful
jealousy never slept, had foreseen this danger from afar, and had
signaled it before it even existed. But might that peril exist
to-morrow, the day after, in a month? It was the frank question that
he tried to answer sincerely. It was true that the child stirred his
instincts of tenderness, but these instincts in men are so numerous that
the dangerous ones should not be confounded with the inoffensive. Thus
he adored animals, especially cats, and could not see their silky fur
without being seized with an irresistible sensuous desire to caress
their soft, undulating backs and kiss their electric fur.
Public-domain text, read in full here on John Shaqi.
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