Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
All those men, except Musadieu, the landscape painter, professed a
profound contempt for the fields. Rocdiane and Landa, to be sure, went
hunting there, but among plains or woods they only enjoyed the pleasure
of seeing pheasants, quail, or partridges falling like handfuls of
feathers under their bullets, or little rabbits riddled with shot,
turning somersaults like clowns, going heels over head four or five
times, showing their white bellies and tails at every bound. Except for
these sports of autumn and winter, they thought the country a bore. As
Rocdiane would say: “I prefer little women to little peas!”
The dinner was lively and jovial as usual, animated by discussions
wherein nothing unforeseen occurs. Bertin, to arouse himself, talked a
great deal. They found him amusing, but as soon as he had had coffee,
and a sixty-point game of billiards with the banker Liverdy, he went
out, rambling from the Madeleine to the Rue Taitbout; after passing
three times before the Vaudeville, he asked himself whether he should
enter; almost called a cab to take him to the Hippodrome; changed his
mind and turned toward the Nouveau Cirque, then made an abrupt half
turn, without motive, design, or pretext, went up the Boulevard
Malesherbes, and walked more slowly as he approached the dwelling of
the Comtesse de Guilleroy. “Perhaps she will think it strange to see me
again this evening,” he thought. But he reassured himself in reflecting
that there was nothing astonishing in his coming a second time to
inquire how she felt.
She was alone with Annette, in the little back drawing-room, and was
still working on her coverlets for the poor.
She said simply, on seeing him enter: “Ah, is it you, my friend?”
“Yes, I felt anxious; I wished to see you. How are you?”
“Thank you, very well.”
She paused a moment, then added, significantly:
“And you?”
He began to laugh unconcernedly, as he replied: “Oh. I am very well,
very well. Your fears were entirely without foundation.”
She raised her eyes, pausing in her work, and fixed her gaze upon him, a
gaze full of doubt and entreaty.
“It is true,” said he.
“So much the better,” she replied, with a smile that was slightly
forced.
He sat down, and for the first time in that house he was seized with
irresistible uneasiness, a sort of paralysis of ideas, still greater
than that which had seized him that day as he sat before his canvas.
“You may go on, my child; it will not annoy him,” said the Countess to
her daughter.
“What was she doing?”
“She was studying a _fantaisie_.”
Annette rose to go to the piano. He followed her with his eyes,
unconsciously, as he always did, finding her pretty. Then he felt the
mother's eye upon him, and turned his head abruptly, as if he were
seeking something in the shadowy corner of the drawing-room.
The Countess took from her work-table a little gold case that he had
given her, opened it, and offered him some cigarettes.
Public-domain text, read in full here on John Shaqi.
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