Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
But, though he did not see her, he tasted the sweetness of her presence,
as one feels the proximity of a fire on the hearth; and the desire to
cast upon her swift glances only to transfer them immediately to the
Countess, tormented him--the desire of the schoolboy who climbs up
to the window looking into the street as soon as the master's back is
turned.
He went away early, for his power of speech was as paralyzed as his
mind, and his persistent silence might be interpreted.
As soon as he found himself in the street a desire to wander took
possession of him, for whenever he heard music it remained in his brain
a long time, threw him into reveries that seemed the music itself in
a dream, but in a clearer sequel. The sound of the notes returned,
intermittent and fugitive, bringing separate measures, weakened, and far
off as an echo; then, sinking into silence, appeared to leave it to the
mind to give a meaning to the themes, and to seek a sort of tender and
harmonious ideal. He turned to the left on reaching the outer Boulevard,
perceiving the fairylike illumination of the Parc Monceau, and entered
its central avenue, curving under the electric moons. A policeman
was slowly strolling along; now and then a belated cab passed; a man,
sitting on a bench in a bluish bath of electric light, was reading a
newspaper, at the foot of a bronze mast that bore the dazzling globe.
Other lights on the broad lawns, scattered among the trees, shed their
cold and powerful rays into the foliage and on the grass, animating this
great city garden with a pale life.
Bertin, with hands behind his back, paced the sidewalk, thinking of his
walk with Annette in this same park when he had recognized in her the
voice of her mother.
He let himself fall upon a bench, and, breathing in the cool freshness
of the dewy lawns, he felt himself assailed by all the passionate
expectancy that transforms the soul of youth into the incoherent canvas
of an unfinished romance of love. Long ago he had known such evenings,
those evenings of errant fancy, when he had allowed his caprice to roam
through imaginary adventures, and he was astonished to feel a return of
sensations that did not now belong to his age.
But, like the persistent note in the Schubert melody, the thought of
Annette, the vision of her face bent beside the lamp, and the strange
suspicion of the Countess, recurred to him at every instant. He
continued, in spite of himself, to occupy his heart with this question,
to sound the impenetrable depths where human feelings germinate
before being born. This obstinate research agitated him; this constant
preoccupation regarding the young girl seemed to open to his soul the
way to tender reveries. He could not drive her from his mind; he bore
within himself a sort of evocation of her image, as once he had borne
the image of the Countess after she had left him; he often had the
strange sensation of her presence in the studio.
Public-domain text, read in full here on John Shaqi.
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