Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
They found themselves betrothed one day, quite naturally, after a clasp
of the hand and a smile, and the marriage was spoken of as something
long decided. Then the Marquis began to bring gifts, and the Duchess
treated Annette like her own daughter. The whole affair, then, had been
fostered by common accord, warmed over the fire of a little intimacy,
during the quiet hours of the day; and the Marquis, having many other
occupations, relatives, obligations and duties, rarely came in the
evening.
That was Olivier's time. He dined regularly every week with his friends,
and also continued to appear without appointment to ask for a cup of tea
between ten o'clock and midnight.
As soon as he entered the Countess watched him, devoured by a desire to
know what was passing in his heart. He gave no glance, made no gesture
that she did not immediately interpret, and she was tortured by this
thought: “It is impossible that he is not in love with her, seeing us so
close together.”
He, too, brought gifts. Not a week passed that he did not appear bearing
two little packages in his hands, offering one to the mother, the other
to the daughter; and the Countess, opening the boxes, which often held
valuable objects, felt again that contraction of the heart. She knew so
well that desire to give which, as a woman, she never had been able to
satisfy--that desire to bring something that would give pleasure,
to purchase for someone, to find in the shops some trifle that would
please.
The painter had already been through this phase, and she had seen him
come in many times with that same smile, that same gesture, a little
packet in his hand. That habit had ceased after awhile, and now it had
begun again. For whom? She had no matter of doubt. It was not for her!
He appeared fatigued and thin. She concluded that he was suffering. She
compared his entrances, his manner, his bearing with the attitude of the
Marquis, who was also beginning to be attracted by Annette's grace. It
was not at all the same thing: Monsieur de Farandal admired her, Olivier
Bertin loved! She believed this at least during her hours of torture;
then, in quieter moments she still hoped that she had deceived herself.
Oh, often she could hardly restrain herself from questioning him when
she was alone with him, praying, entreating him to speak, to confess
all, to hide nothing! She preferred to know and to weep under certainty
than to suffer thus under doubt, not able to read that closed heart,
wherein she felt another love was growing.
Public-domain text, read in full here on John Shaqi.
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